Box 192
Contains 137 Results:
Christ Blessing, This image shows Christ in half-length, giving the sign of blessing with his right hand, and holding a cross-topped orb with his left hand., 1470-1482
Vanderbilt photo identifier: SC.MSS.088.VENI.0507; Original stamp identifier: K-336B; Other stamp identifier: Kress Collection; Public Notes: Also, there is a handwritten note on the reverse of the photograph describing the painting and attributing it as the central panel of a predella.; This painting is thought to have been the central panel of a predella, and Lightbown (2004) attributes it to the predella of the Force altarpiece of 1482.
Saint Peter, This image shows Saint Peter in three-quarter view. He holds a book and the keys to the Kingdom of Heaven., 1475-1482
Vanderbilt photo identifier: SC.MSS.088.VENI.0508; Public Notes: This panel is attributed on the reverse of the photograph to a predella of an altarpiece. Lightbown (2004) attributes it to the predella of the Force altarpiece of 1482.
Saint Bartholomew and Saint John the Evangelist, This image shows two panels, both presumed to be from a predella of an altarpiece. Bartholomew holds a knife and a book, and John holds a book and touches his finger to his mouth as if to speak. The figures are turned toward each other, probably configured to have faced Christ in the central panel of the predella., 1475-1482
Vanderbilt photo identifier: SC.MSS.088.VENI.0509; Public Notes: Also, a handwritten note on the reverse of the photograph references these panels to correspond with others (our SC.MSS.088.VENI.0505-0507) - Christ the Redeemer (El Paso), St. Andrew (Amsterdam), and St. Peter (Rome) for the same predella. This correlates with Lightbown (2004)'s assertions that these were from the Force altarpiece.; Lightbown (2004) attributes these panels to the predella of the Force altarpiece of 1482.
Saint Bartholomew and Saint John the Evangelist, This image shows two panels, both presumed to be from a predella of an altarpiece. Bartholomew holds a knife and a book, and John holds a book and touches his finger to his mouth as if to speak. The figures are turned toward each other, probably configured to have faced Christ in the central panel of the predella., 1475-1482
Vanderbilt photo identifier: SC.MSS.088.VENI.0509; Public Notes: Also, a handwritten note on the reverse of the photograph references these panels to correspond with others (our SC.MSS.088.VENI.0505-0507) - Christ the Redeemer (El Paso), St. Andrew (Amsterdam), and St. Peter (Rome) for the same predella. This correlates with Lightbown (2004)'s assertions that these were from the Force altarpiece.; Lightbown (2004) attributes these panels to the predella of the Force altarpiece of 1482.
Altarpiece for the High Altar and Small Altar, San Domenigo, Ascoli, This image shows the high altarpiece for San Domenigo, Ascoli, with panels of the small altarpiece of the same church attached as a top (3rd) tier. In the central tier of the High Altarpiece are Ss. John the Baptist and Peter, Madonna and Child, and Ss. Catherine of Alexandria and Dominic. In the second tier, in half-length view are Ss. Francis of Assisi, Andrew, Stephen, and Thomas Aquinas. In the remnants of the small altarpiece shown here as a top tier are Ss. Jerome, Michael, Lucy, and Peter Martyr, in full-length., 1476-1479
Vanderbilt photo identifier: SC.MSS.088.VENI.0510; Public Notes: The bottom two tiers are from the altarpiece for the high altar, and date to 1476. The upper tier is from the altarpiece for the small altar and dates to the late 1470s.
Madonna and Child: Ascoli High Altar, This image shows the Virgin and Child enthroned. The Christ Child leans forward in sleep as He sits on her lap; she holds a thin veil from his back and supports Him with her other hand. There is a veil behind her as well as displayed symbolic fruit to allude to man's sin. The cucumber symbolizes purity., 1476
Vanderbilt photo identifier: SC.MSS.088.VENI.0511; Public Notes:
Saints: Ascoli High Altar, San Domenigo, This image shows four panels from the main tier of the altarpiece for the high altar in San Domenigo, Ascoli. These panels flank the central panel of the Madonna and Child, and depict Ss. John the Baptist, Peter (in full papal vestments), Catherine, and Dominic., 1476
Vanderbilt photo identifier: SC.MSS.088.VENI.0512; Public Notes:
Saints: Small Altarpiece, San Domenigo, This image shows four saints panels from the altarpiece for the small altar of San Domenigo, Ascoli. Seen here in full-length are Ss. Jerome, Michael, Lucy, and Peter Martyr, depicted in luxurious detail with thier attributes., 1476-1479
Vanderbilt photo identifier: SC.MSS.088.VENI.0513; Public Notes:
Saints Francis of Assisi and Thomas Aquinas: High Altarpiece of San Domenigo, Ascoli, This image shows two panels from the second tier of the altarpiece for the high altar of San Domenigo, Ascoli. Here, St. Francis of Assisi, from teh leftmost panel of the second tier, shoes his stigmata, wears his monastic habit, and holds his hands in prayer; St. Thomas Aquinas, from the rightmost panel of teh second tier, holds a church model and a Bible (open) and wears his monastic habit with an emanating star at the brooch., 1476
Vanderbilt photo identifier: SC.MSS.088.VENI.0514; Public Notes:
Saints Andrew and Stephen: High Altarpiece of San Domenigo, Ascoli, This image shows Saints Andrew and Stephen from the second tier of the altarpiece for the high altar of San Domenigo, Ascoli. St. Andrew holds and reads a book and holds a cross; St. Stephen holds a book and a martyr's palm while his head and shoulders are adorned with stones of his martyrdom., 1476
Vanderbilt photo identifier: SC.MSS.088.VENI.0515; Public Notes:
Blessed Jacopo della Marca, This image shows the Blessed Jacopo della Marca, standing in full-length view. He points to a hanging tablet inscribed "IHS"., 1477
Vanderbilt photo identifier: SC.MSS.088.VENI.0516; Public Notes: Another image very similar to this one is seen in our SC.MSS.088.VENI.0517.; Acquired by the Louvre in 1862.
Blessed Jacopo della Marca, This image shows the Blessed Jacopo della Marca, standing in full-length view. He points to a hanging tablet inscribed "IHS"., 1477
Blessed Jacopo della Marca: detail of donors, This image is a detail of a larger painting of Jacopo della Marca. Here we see the kneeling donors from the lower right side of the painting., 1477
Vanderbilt photo identifier: SC.MSS.088.VENI.0518; Public Notes: Acquired by the Louvre in 1862.
Saint Mary Magdalene, This image shows Saint Mary Magdalene in a long, tall panel, holding an ointment jar and dressed in ornately decorated garments., 1475-1480
Vanderbilt photo identifier: SC.MSS.088.VENI.0519; Public Notes:
Madonna and Child, This image shows the Madonna and Child in half-length view, behind a parapet. The Virgin holds the Christ Child in her arms, a garland of fruit and a veil hang above and behind them, and a book sits open on the parapet., 1455-1490
Vanderbilt photo identifier: SC.MSS.088.VENI.0520; Public Notes:
Madonna and Child (The Jones Madonna), This image shows the Virgin and Child in half-length view, behind a parapet. A garland of fruit and a veil hang behind them, the Child holds an apple, and a carnation rests on the parapet., 1480
Vanderbilt photo identifier: SC.MSS.088.VENI.0521; Public Notes:
Saint Roch, This image shows Saint Roch in full length. He looks down and reveals his leg wound. This work is from the painted frame of an altarpiece., 1485-1489
Vanderbilt photo identifier: SC.MSS.088.VENI.0522; Public Notes: A handwritten note on the back of the photo suggests this panel was part of an altarpiece with St. Sebastian of Poldi Pezzoli (our SC.MSS.088.VENI.0523).
Saint Sebastian, This image shows Saint Sebastian in full-length, tied to a post and pierced by arrows., 1485-1489
Vanderbilt photo identifier: SC.MSS.088.VENI.0523; Public Notes: A handwritten note on the back of the photo suggests this panel was part of a polyptych altarpiece with the panel of St. Roch from the Wallace Collection (our SC.MSS.088.VENI.0522).
Polyptych with Madonna and Child, This image shows a polyptych with the Virgin and Child in the central panel, surrounded by full-length saints. To the left are two saints, one possibly St. Jerome and one a pope. To the right are John the Baptist and John the Evangelist., 1481
Vanderbilt photo identifier: SC.MSS.088.VENI.0524; Public Notes:
Madonna and Child, This image shows the Madonna and Child enthroned, with the Christ Child standing in the Virgin's lap and holding an apple and wearing a coral necklace. Mary is crowned Queen of Heaven and a small donor kneels in the lower left, presumably the guardian of the convent of Force., 1482
Vanderbilt photo identifier: SC.MSS.088.VENI.0526; Public Notes: Created for the convent of San Francesco, Force.
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