Scenes from the Passion of Christ, This image shows the right side panels of a two-tier altarpiece depicting scenes of Christ's Passion. In the top tier (L-R) is the scene of Christ before Caiaphas. In the lower tier are the depictions of Christ's deposition from the cross, Christ's resurrection, and Christ's ascension. In the scene of the garden of Gethsemane, Christ kneels in prayer beside a rock on which a cup/chalice rests, referring to Luke 22:42. In the foreground and background, huddled apostles sit and weep, rest, and pray. In the second scene is the betrayal of Christ by Judas. Here, a large crowd is gathered, and Judas kisses Jesus on the cheek to identify him to the guards and authorities. In the foreground, an apostle smites a Roman servant (of the high priest). In the background, guards carry weapons and banners and shields (inscribed SPQR). In the last scene of the top tier, Christ stands before Caiaphus, who sits in judgement. In the lower tier, depicted is Christ's deposition from the cross. Christ's body is lowered from the cross, while Mary reaches up to receive him in her arms. In the next scene of the lower tier is Christ's resurrection. Here, Christ stands victorious on top of his tomb, holds a banner, and gives the sign of blessing. Around the tomb, the Roman guards sleep. In the last scene of the lower tier, Christ ascends into Heaven. Here, two angels hover on either side of Christ's feet and hold inscribed scrolls. Below, the apostles and Mary kneel with hands clasped and heads raised to watch Christ. In the spandrels are St. Paul, a bishop saint, St. Mark, and a warrior saint., 1435-1450
Scope and Contents
Vanderbilt photo identifier: SC.MSS.088.VENI.0143; Public Notes: This photograph was originally housed in a folder marked, "con Giovanni d'Alemagna. Ca d'Oro (da Vienna). Attribuita da Berenson Catalogo?. 1430-40. L Venturi: vicuia ad Antonio, Testi: non è, Cavalceselle: Quirizio?"; The prevailing attribution of this work is to Antonio Vivarini. Attributions have also been made to Quirizio and to Giovanni d'Alemagna, as well as Marconi (1955) attributing it as a collaborative work of Giovanni d' Alemagna and Antonio Vivarini.
Dates
- Creation: 1435-1450
Creator
- Antonio Vivarini (alternatively: Antonio Vivarini; Vivarini, Antonio Da Murano; Antonio da Murano) (Person)
Conditions Governing Access
This collection may be viewed only in the reading room of Special Collections in the Jean and Alexander Heard Library. Collections should be requested 2-3 days prior to visiting in order to facilitate easier access. For questions or to request a collection, contact specialcollections@vanderbilt.edu.
Biographical / Historical
Subjects: Judas; resurrection; religious art; betrayals; depositions; ascension; apostles; angels; Gethsemane; School: Venice; Style period: Renaissance; Technique: painting (technique); Work type: paintings
Full Extent
1 Items ; Image height (in.): 7.6; Image width (in.): 8.8in.
Language of Materials
From the Collection: English
Physical Description
Medium: tempera; Physical condition: yellowing; faded; Print type: black and white; Support: panels (wood)
General
Part of master image SC.MSS.088.VENI.0140; Artist Nationality: Italian; Artist Status: confirmed; Inscription author: artist; Inscription original text: SPQR (Senatus Populusque Romanus); Inscription original text language: Lat; Inscription original text type: text; Inscription position: on soldiers' shields; Inscription translation text: the Senate and the People of Rome; Inscription translation text language: English; Inscription translation text type: translation
Source
- Ca d'Oro, Venice, Italy (Repository, Organization)
Repository Details
Part of the Vanderbilt University Special Collections and University Archives Repository
Special Collections Library
1101 19th Ave. S.
Nashville TN 37212 United States
specialcollections@vanderbilt.edu
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