Anthony Van Dyck (school of)
Found in 6 Collections and/or Records:
Adriaen Hendricksz Moens, Portrait of the priest and theologian Adriaen Moens. Moens is turned in profile and looks off into the distance. In his hands, he holds a large book and a column stands to the left the left in the background.
Vanderbilt photo identifier: SC.MSS.088.FLEM.0749; Public Notes: In this copy, the sitter has been wrongly identified as Nicholas Rockox. We know this is inaccurate as the original clearly states the sitter's true identity in an inscription. In the original version (Private Collection, Germany), there is no column "Adriaen Moens" present. Only a potion of this copy remains (64.7 53.9 cm).
Antonius Triest, Portrait of Antonius Triest, bishop of Ghent and Count of Evergem, sitting and looking directly at the viewer. He was a major patron of the arts with a large collection of paintings, sculptures, and drawings, including those of Rubens and Van Dyck. He wears a grey cappa magna and a red cowl and rings proper to his ecclesiastical dignities. The Triest coat of arms is visible in the background., c.1627-1632
Vanderbilt photo identifier: SC.MSS.088.FLEM.0729; Public Notes: This is a copy of the original (canvas: 121.5 x 98 cm; whereabouts unknown). The Triest coat of arms in this copy is in an oval frame as opposed to the rectangular frame in the original. Notes on the back of the photograph indicate that this piece sold at Sotheby's on 3/16/66.
Crucifixion, Scene depicting the crucifixion. Christ looks up toward Heaven with tears in his eyes as he submits himself to his Father's divine will., c.1621-1627
Vanderbilt photo identifier: SC.MSS.088.FLEM.0632; Public Notes: This painting is inspired by a piece by Rubens.
Earl of Kinnoul, Portrait of the Earl of Kinnoul depicted wearing a suit of armor. He stands in a classical contrapasto position looking off into the distance. In his right hand, he holds a baton, while his left hand balances on the sword that rests in his sheath. In the background, a helmet sits on a table., After 1638
Vanderbilt photo identifier: SC.MSS.088.FLEM.0742; Public Notes: This painting is one of several variants based on Van Dyck's painting "Charles I" (State Hermitage Museum, St. Petersburg). Other sitters depicted in this same composition include Prince Henry, Lord Spencer, and the Earl of Lindsey. This piece once belonged to the Joseph Duveen Collection, New York.
George, Lord Digby, later 2nd Earl of Bristol, Portrait of George, Lord Digby, the later 2nd Earl of Earl of Bristol. The sitter is looking directly at the viewer and holding his cloak close to his chest., c.1641
Vanderbilt photo identifier: SC.MSS.088.FLEM.0720; Public Notes: This photograph misidentifies the sitter as "Philip Hebert, Earl of Pembroke." This is a copy of the original (canvas: 103 x 83.2 cm; Dulwich Picture Gallery, London). Several copies exist.
Portrait of an Unknown Man, Portrait of an unknown man.
Vanderbilt photo identifier: SC.MSS.088.FLEM.0734; Public Notes: This is a basic record created to enable public access to scanned images. Full research on this image is pending. For assistance, please e-mail us at specialcollections@vanderbilt.edu.
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