Bartolomeo Vivarini (Workshop) (alternatively: Vivarini, Bartolommeo; Bartolommeo Vivarini; Bartolomeo Vivarini)
Person
Found in 8 Collections and/or Records:
Conversano Polyptych: Saint Dominic, This image is a detail from the Conversano Polyptych. Shown is the torso and head of St. Dominic. He holds a lily and a book and is dressed in the habit of the Dominican Order., 1475
Item — Box 190: [Barcode: 30081049759677]
Identifier: spc-mss0088-s19-i0280
Scope and Contents
Vanderbilt photo identifier: SC.MSS.088.VENI.0279; Public Notes: The text, "I Vivarini", by Rodolfo Pallucchini, notes that this work was completed by Bartolomeo and his workshop, citing Borenius (1912) and Berenson (1932), stating that the only evidence of Bartolomeo's hand is in the general composition and intensity of color. They call the altarpiece "rough." The text also cites Planiscig (1921-22) in noting this work echoes the "Adoration of the Child" by Antonio Vivarini, from S....
Dates:
1475
Conversano Polyptych: Saint John the Baptist, This image is a detail from one of the left panels of the Conversano Polyptych. Shown is a view of the head and shoulders of St. John the Baptist. He gazes upward and holds a cross and wears animal skins as part of his garb., 1475
Item — Box 190: [Barcode: 30081049759677]
Identifier: spc-mss0088-s19-i0283
Scope and Contents
Vanderbilt photo identifier: SC.MSS.088.VENI.0282; Public Notes: The text, "I Vivarini", by Rodolfo Pallucchini, notes that this work was completed by Bartolomeo and his workshop, citing Borenius (1912) and Berenson (1932), stating that the only evidence of Bartolomeo's hand is in the general composition and intensity of color. They call the altarpiece "rough." The text also cites Planiscig (1921-22) in noting this work echoes the "Adoration of the Child" by Antonio Vivarini, from S....
Dates:
1475
Conversano Polyptych: Saint Peter, This image is a detail from one of the left panels of the Conversano Polyptych. Shown is a detail of the head and shoulders of Saint Peter. He holds a book and the keys to the Kingdom of Heaven., 1475
Item — Box 190: [Barcode: 30081049759677]
Identifier: spc-mss0088-s19-i0282
Scope and Contents
Vanderbilt photo identifier: SC.MSS.088.VENI.0281; Public Notes: The text, "I Vivarini", by Rodolfo Pallucchini, notes that this work was completed by Bartolomeo and his workshop, citing Borenius (1912) and Berenson (1932), stating that the only evidence of Bartolomeo's hand is in the general composition and intensity of color. They call the altarpiece "rough." The text also cites Planiscig (1921-22) in noting this work echoes the "Adoration of the Child" by Antonio Vivarini, from S....
Dates:
1475
Conversano Polyptych: The Virgin Mary, This image is a detail from central panel of the Conversano Polyptych. Shown is a detail of the torso and head of the Virgin Mary. She is seen in prayer, with her hands clasped and her head bowed. This detail is taken from the central scene of the nativity., 1475
Item — Box 190: [Barcode: 30081049759677]
Identifier: spc-mss0088-s19-i0281
Scope and Contents
Vanderbilt photo identifier: SC.MSS.088.VENI.0280; Public Notes: The text, "I Vivarini", by Rodolfo Pallucchini, notes that this work was completed by Bartolomeo and his workshop, citing Borenius (1912) and Berenson (1932), stating that the only evidence of Bartolomeo's hand is in the general composition and intensity of color. They call the altarpiece "rough." The text also cites Planiscig (1921-22) in noting this work echoes the "Adoration of the Child" by Antonio Vivarini, from S....
Dates:
1475
Madonna and Child Blessing, This image shows the Virgin Mary in half-length figure, supporting the Christ Child as he stands on a ledge/parapet, giving the sign of blessing with his right hand. Behind them is hung a curtain/veil, and behind that is a landscape., 1480
Item — Box 190: [Barcode: 30081049759677]
Identifier: spc-mss0088-s19-i0325
Scope and Contents
Vanderbilt photo identifier: SC.MSS.088.VENI.0324; Public Notes: Berenson attributes this work to Bartolomeo Vivarini's bottega, or workshop.
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Acquired by Johnson Collection in 1917, and subsequently acquired by Philadelphia Museum of Art.
Dates:
1480
Madonna Enthroned and Saints, This image depicts the Madonna and Child enthroned, surrounded by four saints in Domenican vestments. To the left, St. Thomas Aquinas and St. Anthony of Padua. To the right are St. Peter Martyr and St. Vincent Ferrer., n.d.
Item — Box 190: [Barcode: 30081049759677]
Identifier: spc-mss0088-s19-i0328
Scope and Contents
Vanderbilt photo identifier: SC.MSS.088.VENI.0327; Public Notes: Berenson and Van Marle attribute this work to the Vivarini workshop.
Dates:
n.d.
Nativity of Jesus with Apostles and Saints - from the Conversano Polyptych, This polyptych includes the Nativity of Christ in the center panel, with four saints flanking the scene on either side. Above the central panel is the entombment of Christ. Below the central panel and the saints are 13 figures: the apostles flanking Christ. The saints to the left of the Nativity are Ss. Francis, Andrew, John the Baptist, and Peter. The saints to the right of the central panel are Saints Paul, Jerome, Dominic, and Theodore., 1475
Item — Box 190: [Barcode: 30081049759677]
Identifier: spc-mss0088-s19-i0279
Scope and Contents
Vanderbilt photo identifier: SC.MSS.088.VENI.0278; Public Notes: The text, "I Vivarini", by Rodolfo Pallucchini, notes that this work was completed by Bartolomeo and his workshop, citing Borenius (1912) and Berenson (1932), stating that the only evidence of Bartolomeo's hand is in the general composition and intensity of color. They call the altarpiece "rough." The text also cites Planiscig (1921-22) in noting this work echoes the "Adoration of the Child" by Antonio Vivarini, from S....
Dates:
1475
Pieta with Saint Andrew and Saint Nicholas of Bari, This image depicts a central panel with Mary and the Dead Christ in the form of the Pieta, Saint Andrew in the left panel, and Saint Nicholas of Bari in the right panel. St. Andrew holds a book and a cross, St. Nicholas holds a croiser and a book with three balls. The Pieta is set against a rocky landscape., 1450-1460
Item — Box 190: [Barcode: 30081049759677]
Identifier: spc-mss0088-s19-i0327
Scope and Contents
Vanderbilt photo identifier: SC.MSS.088.VENI.0326; Public Notes: Berenson attributes this work to the Vivarini workshop.
Dates:
1450-1460
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