Agustin Esteve y Marques
Found in 4 Collections and/or Records:
Portrait of Don Manuel de Godoy, In 1808 a mob attacked the house of Manuel Godoy, where he was later arrested and his home looted. Among his personal possessions was this painting, the original done by Francisco Goya in 1806. The painting showed Manuel Godoy in his role as Protector of instruction standing before a crowd of students. In his left hand he holds a copy of the Generalissimo Extremadura (1767-1851), the treaty on Public Education by Heinrich Pestalozzi (1746-1827), who had inspired Godoy’s education reform and whose portrait is also found on the open page found in Godoy’s hand. Behind the group is the Military Institute Pestalozziano, erected in November 1806 in Madrid to train future officers of the Army school. In 1807 Agustin Esteve y Marques was commissioned to make a copy of this painting, in accordance with his role as "Court painter, portraitist of the Dukes of Osuna and copyist of Goya," In 1816 all copies of this painting were moved to the Academy of Fine Arts to store them, over time these images suffered significant damage and in 2013 a restoration project was enacted to restore the piece by Agustin Esteve y Marques. It is unclear which painting this represents and as such makes finding its location unclear. Though notes on the back of the image provide other information.
Portrait of Don Manuel de Godoy, In 1808 a mob attacked the house of Manuel Godoy, where he was later arrested and his home looted. Among his personal possessions was this painting, the original done by Francisco Goya in 1806. The painting showed Manuel Godoy in his role as Protector of instruction standing before a crowd of students. In his left hand he holds a copy of the Generalissimo Extremadura (1767-1851), the treaty on Public Education by Heinrich Pestalozzi (1746-1827), who had inspired Godoy’s education reform and whose portrait is also found on the open page found in Godoy’s hand. Behind the group is the Military Institute Pestalozziano, erected in November 1806 in Madrid to train future officers of the Army school. In 1807 Agustin Esteve y Marques was commissioned to make a copy of this painting, in accordance with his role as "Court painter, portraitist of the Dukes of Osuna and copyist of Goya," In 1816 all copies of this painting were moved to the Academy of Fine Arts to store them, over time these images suffered significant damage and in 2013 a restoration project was enacted to restore the piece by Agustin Esteve y Marques. It is unclear which painting this represents and as such makes finding its location unclear. Though notes on the back of the image provide other information.
Portrait of Don Manuel de Godoy, In 1808 a mob attacked the house of Manuel Godoy, where he was later arrested and his home looted. Among his personal possessions was this painting, the original done by Francisco Goya in 1806. The painting showed Manuel Godoy in his role as Protector of instruction standing before a crowd of students. In his left hand he holds a copy of the Generalissimo Extremadura (1767-1851), the treaty on Public Education by Heinrich Pestalozzi (1746-1827), who had inspired Godoy’s education reform and whose portrait is also found on the open page found in Godoy’s hand. Behind the group is the Military Institute Pestalozziano, erected in November 1806 in Madrid to train future officers of the Army school. In 1807 Agustin Esteve y Marques was commissioned to make a copy of this painting, in accordance with his role as "Court painter, portraitist of the Dukes of Osuna and copyist of Goya," In 1816 all copies of this painting were moved to the Academy of Fine Arts to store them, over time these images suffered significant damage and in 2013 a restoration project was enacted to restore the piece by Agustin Esteve y Marques. It is unclear which painting this represents and as such makes finding its location unclear. Though notes on the back of the image provide other information.
Portrait of the Queen Maria Luisa, Standing portrait of Maria Luisa of Parma (1751-1819) the Queen consort of Spain as the wife of King Charles IV of Spain. The Queen appears in a black mantilla, she is adorned in with a lace veil, a bow and jewelry. In one hand she gingerly holds a fan while making direct eye contact with the viewer., 1799 - 1800
Vanderbilt photo identifier: SC.MSS.088.SPAN.0824; Other stamp identifier: CV Stamp; Public Notes: This portrait was an approved copy of a portrait Francisco Jose de Goya y Lucientes had painted for the Queen. In 1779 she requested the copy be done by Agustin Esteve y Marques for Manuel Godoy.
About this Site
This site contains collection guides, or finding aids, to the archival collections held by Vanderbilt University Special Collections and University Archives, the History of Medicine Collection, and the Scarritt Bennett Center. Finding aids describe the context, arrangement, and structure of archival materials, allowing users to identify and request materials relevant to their research.
Requesting Materials
Each finding aid contains a link to request materials from the collections. Collections can also be requested by emailing the repository directly through the library website. Each repository has its own location, hours, and contact information. Please consult the repository with questions about using the materials. Collections are non-circulating and must be used in the repository’s reading room. In many cases, the collections are stored off-site and require advance notice for retrieval.