Carlo Crivelli
Found in 135 Collections and/or Records:
A Bishop and A Saint, A bishop and a saint reading together.
Vanderbilt photo identifier: SC.MSS.088.SPAN.0031; Public Notes: This is a basic record created to enable public access to scanned images. Full research on this image is pending. For assistance, please e-mail us at specialcollections@vanderbilt.edu
Altarpiece for San Domenico, This image shows an altarpiece with the Virgin and Child pictured in the central panel, Ss. Peter and Dominic in the left panel, and Ss. Peter Martyr and Venanzo in the right panel., 1482
Vanderbilt photo identifier: SC.MSS.088.VENI.0528; Public Notes: Altarpiece created for San Domenico, Camerino
Altarpiece for the High Altar and Small Altar, San Domenigo, Ascoli, This image shows the high altarpiece for San Domenigo, Ascoli, with panels of the small altarpiece of the same church attached as a top (3rd) tier. In the central tier of the High Altarpiece are Ss. John the Baptist and Peter, Madonna and Child, and Ss. Catherine of Alexandria and Dominic. In the second tier, in half-length view are Ss. Francis of Assisi, Andrew, Stephen, and Thomas Aquinas. In the remnants of the small altarpiece shown here as a top tier are Ss. Jerome, Michael, Lucy, and Peter Martyr, in full-length., 1476-1479
Vanderbilt photo identifier: SC.MSS.088.VENI.0510; Public Notes: The bottom two tiers are from the altarpiece for the high altar, and date to 1476. The upper tier is from the altarpiece for the small altar and dates to the late 1470s.
Altarpiece of San Francesco, Fabriano: Madonna and Child with Saint Francis and Saint Sebastian, This image shows the Virgin and Child enthroned and flanked by Saint Francis on the left and Satin Sebastian on the right., 1491
Vanderbilt photo identifier: SC.MSS.088.VENI.0561; Public Notes: Central panel of the altarpiece commissioned by Oradea for her chapel in San Francesco, Fabriano.
Blessed Jacopo della Marca: detail of donors, This image is a detail of a larger painting of Jacopo della Marca. Here we see the kneeling donors from the lower right side of the painting., 1477
Vanderbilt photo identifier: SC.MSS.088.VENI.0518; Public Notes: Acquired by the Louvre in 1862.
Blessed Jacopo della Marca, This image shows the Blessed Jacopo della Marca, standing in full-length view. He points to a hanging tablet inscribed "IHS"., 1477
Vanderbilt photo identifier: SC.MSS.088.VENI.0516; Public Notes: Another image very similar to this one is seen in our SC.MSS.088.VENI.0517.; Acquired by the Louvre in 1862.
Blessed Jacopo della Marca, This image shows the Blessed Jacopo della Marca, standing in full-length view. He points to a hanging tablet inscribed "IHS"., 1477
Christ Blessing, This image shows Christ blessing with his right hand and holding an orb with his left hand. The Orb is surmounted by a cross. He is seen in half-length view., 1470-1482
Vanderbilt photo identifier: SC.MSS.088.VENI.0505; Original stamp identifier: K-336B; Other stamp identifier: Kress Collection; Public Notes: This painting is thought to have been the central panel of a predella, and Lightbown (2004) attributes it to the predella of the Force altarpiece of 1482.
Christ Blessing, This image shows Christ in half-length, giving the sign of blessing with his right hand, and holding a cross-topped orb with his left hand., 1470-1482
Vanderbilt photo identifier: SC.MSS.088.VENI.0507; Original stamp identifier: K-336B; Other stamp identifier: Kress Collection; Public Notes: Also, there is a handwritten note on the reverse of the photograph describing the painting and attributing it as the central panel of a predella.; This painting is thought to have been the central panel of a predella, and Lightbown (2004) attributes it to the predella of the Force altarpiece of 1482.
Christ Blessing, This image shows Christ in half-length, giving the sign of blessing with his right hand, and holding a cross-topped orb with his left hand., 1470-1482
Vanderbilt photo identifier: SC.MSS.088.VENI.0506; Original stamp identifier: K-336B; Other stamp identifier: Kress Collection; Public Notes: Also, there is a handwritten note on the reverse of the photograph describing the painting and attributing it as the central panel of a predella.; This painting is thought to have been the central panel of a predella, and Lightbown (2004) attributes it to the predella of the Force altarpiece of 1482.
Christ the Redeemer (Christ Blessing), This image shows Christ as Redeemer, displaying the Word of God and giving the sign of blessing. He is seen in half-length view, surrounded by an arch and a parapet., 1493
Vanderbilt photo identifier: SC.MSS.088.VENI.0568; Public Notes: This work was the predella of the altarpiece painted for the high altar of San Francesco, Fabriano.
Entombment: detail, This image shows a detail of the deposition with a closer view of Christ and the Virgin Mary's torso and head. Christ's side wound and crown of thorns are visible, as are Mary's tears., 1485-1495
Vanderbilt photo identifier: SC.MSS.088.VENI.0503; Public Notes: This is the upper panel of the altarpiece of San Pietro di Muralto.
Entombment, This image shows the deposition of Christ. Surrounding him in mourning are the Virgin Mary, Mary Magdalene, and St. John the Evangelist., 1485-1495
Vanderbilt photo identifier: SC.MSS.088.VENI.0502; Public Notes: This is the upper panel of the altarpiece of San Pietro di Muralto.
Lamentation over the Dead Christ, This image shows the lamentation. Here, John the Evangelist, the Virgin Mary, and Mary Magdalene holds Christ's body and mourn. They are figured behind the base of the tomb., 1485
Vanderbilt photo identifier: SC.MSS.088.VENI.0536; Public Notes:
Madonna and Child: Ascoli altarpiece, This image shows a detail of the center panel of an altarpiece (from the High Altar of the Duomo Ascoli). Here, the Virgin is enthroned and the Christ Child sits on her lap and holds a fruit. A veil and a garland of fruit hang above them., 1473
Vanderbilt photo identifier: SC.MSS.088.VENI.0486; Public Notes: Photograph from a folder labeled: "Ascoli" "Opera firmata e datata 1473".
Madonna and Child: Ascoli High Altar, This image shows the Virgin and Child enthroned. The Christ Child leans forward in sleep as He sits on her lap; she holds a thin veil from his back and supports Him with her other hand. There is a veil behind her as well as displayed symbolic fruit to allude to man's sin. The cucumber symbolizes purity., 1476
Vanderbilt photo identifier: SC.MSS.088.VENI.0511; Public Notes:
Madonna and Child: detail, This image shows the Virgin and Child enthroned, with a veil and garland of fruit hung behind them. The Christ Child wears a coral necklace and holds a fruit, and the Virgin is crowned Queen of Heaven., 1482
Vanderbilt photo identifier: SC.MSS.088.VENI.0527; Public Notes: Created for the convent of San Francesco, Force.
Madonna and Child Enthroned with Donor, This image shows the Virgin and Child enthroned, with the Christ Child standing on Mary's lap. At Mary's feet is donor Prenta di Giorgio kneeling, and behind her head is a garland of fruit. Also, in the front at Mary's feet are a crown and a shell., 1470
Vanderbilt photo identifier: SC.MSS.088.VENI.0464; Public Notes: Photo from a folder noting parts of the polyptych of Porto S. Giorgio. Handwritten notes on the folder include a dating of 1470, and a list of works: "S. Antonio Abate e S. Lucia (Cracovia Museo); Pieta (Detroit); S. Gerlamo e S. Caterina (Tulsa, Oklahoma, Kress Collection); S. Giorgio a cavallo (Boston, Gardner); citation to Zeri: "Polittico di S. Giorgio (ri costruzione di Zeri).
Madonna and Child, Putti with Symbols of the Passion, This image shows the Virgin and Child in front of an architectural setting with veil and garland of fruit. The Virgin supports the Christ Child, who stands on a parapet along with angels who hold instruments of Christ's Passion., 1455-1465
Vanderbilt photo identifier: SC.MSS.088.VENI.0458; Public Notes:
Madonna and Child (The Jones Madonna), This image shows the Virgin and Child in half-length view, behind a parapet. A garland of fruit and a veil hang behind them, the Child holds an apple, and a carnation rests on the parapet., 1480
Vanderbilt photo identifier: SC.MSS.088.VENI.0521; Public Notes:
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