Detroit Institute of Arts, Detroit, Michigan
Found in 86 Collections and/or Records:
A Woman, This is a portrait of an older Englishwoman. This is a basic record created to enable public access to scanned images. Full research on this image is pending. For assistance, please e-mail us at specialcollections@vanderbilt.edu, c. 1532/34
Vanderbilt photo identifier: SC.MSS.088.GERM.0284; Public Notes:
Adoration of the Magi, Scene of Adoration of the Magi. This painting has attributions to Bartolomeo di Giovanni, Filippino Lippi, and Lorenzo Di Credi, but is likely a forgery.
Vanderbilt photo identifier: SC.MSS.088.FORG.0061; Public Notes: Suspected forgery.
This painting has attributions to Bartolomeo di Giovanni, Filippino Lippi, and Lorenzo Di Credi, but is likely a forgery.
This is a basic record created to enable public access to scanned images. Full research on this image is pending. For assistance, please email us at specialcollections@vanderbilt.edu
Agony in the Garden - Sansepolcro Altarpiece, Biblical scene of Jesus and the disciples in the garden of Gethsemane with Judas approaching in the distance., 1437-1444
Vanderbilt photo identifier: SC.MSS.088.SIEN.0105; Public Notes:
Alexander and the Daughters of Darius, Alexander, in military attire, directs the attention of four women by pointing.
Vanderbilt photo identifier: SC.MSS.088.TIEP.0302; Public Notes: This is a basic record created to enable public access to scanned images. Full research on this image is pending. For assistance, please e-mail us at specialcollections@vanderbilt.edu
Andrea de Franceschi, Sitting portrait of Andrea de Franceschi, Grand chancellor of Venice (1529-1532). Wearing a red, velvet judiciary robe, in his left hand he holds a letter., 1532 CE
Vanderbilt photo identifier: SC.MSS.088.TITI.0590; Public Notes:
Annunciate Angel, Gabriel of the annunciation.
Vanderbilt photo identifier: SC.MSS.088.FLOR.2538; Public Notes: Object is catagorized as the work of Giovanni del Biondo on the museum's website, rather than Lorenzo di Niccolo.
Annunciate Angel, Saint Gabriel the Archangel., Early 1430s
Vanderbilt photo identifier: SC.MSS.088.FLOR.4622; Public Notes:
Annunciate Virgin, Virgin Mary holding a book., Early 1430s
Vanderbilt photo identifier: SC.MSS.088.FLOR.4623; Public Notes:
Annunciate Virgin, Virgin Mary of the annunciation.
Vanderbilt photo identifier: SC.MSS.088.FLOR.2537; Public Notes: Object is catagorized as the work of Giovanni del Biondo on the museum's website, rather than Lorenzo di Niccolo.
Betrayal of Christ - Sansepolcro Altarpiece, Biblical scene of Judas giving Jesus away to the Romans as the disciples fled., 1437-1444
Vanderbilt photo identifier: SC.MSS.088.SIEN.0106; Public Notes:
Boni Family Coat of Arms, Image is a detail from the Boni Family’s coat of arms. Sculpture shares the elements of two different arms, likely to commemorate a wedding between the Gianfigliazzi and Minerbetti families. The relief illustrates a smiling putti holding a ribbon to a large shield. A lion stands before the first shield while also wearing a second one over his body., 1457
Vanderbilt photo identifier: SC.MSS.088.SCUL.0100.3; Public Notes:
Busts of a Young Man and Young Woman, Two aristocratic people are depicted: the man on the left positioned at an angle and looking beyond the viewer, and the woman on the right shown in profile.
Vanderbilt photo identifier: SC.MSS.088.DUPL.0701; Public Notes:
Catherine of Aragon as the Magdalen, This painting is a half-length depiction of Catherine of Aragon posing as Mary Magdalen. She holds an ointment jar and gazes downward., c.1515-1516
Vanderbilt photo identifier: SC.MSS.088.FLEM.0417; Public Notes: This painting was purchased by the Detroit Institute of Arts in 1940.
Christ Appearing to the Disciples, Biblical scene of Christ appearing to the disciples after the resurrection., c.1514
Vanderbilt photo identifier: SC.MSS.088.UMBR.3308; Public Notes: 15th and 16th centuries
Christ Crowned with Thorns, A scene depicting Christ being crowned with thorns., c. 1505
Vanderbilt photo identifier: SC.MSS.088.FLEM.0272; Public Notes: This piece was part of the Dr. Eduard Simon collection in Berlin, Germany by 1929 and was sold in the same year to Jacques Goudstikker in Amsterdam, The Netherlands.
Christ in Limbo, Scene depicting Christ retrieving the faithful in Limbo.
Vanderbilt photo identifier: SC.MSS.088.FLEM.0019; Public Notes:
Circumcision, Scene depicting the circumcision of Christ., 1523
Vanderbilt photo identifier: SC.MSS.088.PARM.0369; Public Notes:
Conversion and Death of the Husband of Saint Monica, In this image is the scene of St. Monica converting her husband to Christianity as he is on his deathbed. She holds a crucifix and points upward. He gazes up at her from his pillow. Two young women stand behind her. The scene is set inside a room with a brocade curtain and an arched doorway., 1441, Photographed in c. 1910-1929
Costanza da Sommaia, Portrait of Costanza da Sommaia
Vanderbilt photo identifier: SC.MSS.088.FLOR.10824; Public Notes: This is a basic record created to enable public access to scanned images. Full research on this image is pending. For assistance, please e-mail us at specialcollections@vanderbilt.edu
Detail of the Boni Family Coat of Arms, Image is a detail from the Boni Family’s coat of arms, depicting a lion head with his tongue hanging out, 1457
Vanderbilt photo identifier: SC.MSS.088.SCUL.0100.2; Public Notes:
About this Site
This site contains collection guides, or finding aids, to the archival collections held by Vanderbilt University Special Collections and University Archives, the History of Medicine Collection, and the Scarritt Bennett Center. Finding aids describe the context, arrangement, and structure of archival materials, allowing users to identify and request materials relevant to their research.
Requesting Materials
Each finding aid contains a link to request materials from the collections. Collections can also be requested by emailing the repository directly through the library website. Each repository has its own location, hours, and contact information. Please consult the repository with questions about using the materials. Collections are non-circulating and must be used in the repository’s reading room. In many cases, the collections are stored off-site and require advance notice for retrieval.