Wadsworth Atheneum, Hartford, Connecticut

 Organization

Found in 12 Collections and/or Records:

Angel, Head of an angel., 1445-1450

 Item — Box 72: [Barcode: 30081049758059]
Identifier: spc-mss0088-s02-ss01-i5021
Scope and Contents

Vanderbilt photo identifier: SC.MSS.088.FLOR.4968; Public Notes:

Dates: 1445-1450

Battle of the Orlando and Rodomonte, This painting depicts a scene from Ariosto's epic poem Orlando Furioso. In Canto XXIX, lines 39-48, the naked Orlando comes to fight for the love of Angelica. In the bottom right corner, he attacks Rodomonte, the Saracen king of Algiers, who wears a suit of armor. The two men wrestle. This is the moment before the two warriors fall into the river below., c.1527-1530, Photographed in After 1949

 Item — Box 266: [Barcode: 30081049760535]
Identifier: spc-mss0088-s36-i1308
Scope and Contents Vanderbilt photo identifier: SC.MSS.088.FLEM.1249; Public Notes: The authority of this piece has been much debated; however, recent provenance research conducted by the Wadsworth Atheneum seems to verify that the work was the hand of Battista Dossi. This piece was once owned by Oscar Bondy of Vienna until it was confiscated by the Nazis in 1938 during the occupation of Austria. The painting was later transferred to the Munich Checkpoint from the collection intended for Hitler's Fuhrermuzeum...
Dates: c.1527-1530; Photographed in After 1949

Hercules and Antaeus (Ercole e Anteo), Antaeus would challenge all passing by to a wrestling match, he was undefeated until Hercules beat him during his 12 Labors., c. 1580-1590

 Item — Box 220: [Barcode: 30081049760030]
Identifier: spc-mss0088-s19-i3655
Scope and Contents

Vanderbilt photo identifier: SC.MSS.088.VENI.3572; Public Notes: This is a basic record created to enable public access to scanned images. Full research on this image is pending. For assistance, please e-mail us at specialcollections@vanderbilt.edu.

Dates: c. 1580-1590

Hercules and Antaeus (Ercole e Anteo), Roman and Greek Mythology, c. 1580-1590

 Item — Box 220: [Barcode: 30081049760030]
Identifier: spc-mss0088-s19-i3656
Scope and Contents

Vanderbilt photo identifier: SC.MSS.088.VENI.3573; Public Notes: This is a basic record created to enable public access to scanned images. Full research on this image is pending. For assistance, please e-mail us at specialcollections@vanderbilt.edu.

Dates: c. 1580-1590

Holy Family, The Holy Family seated in a landscape with basket of fruit nearby., 1610

 Item — Box 161C: [Barcode: 30081049759255]
Identifier: spc-mss0088-s10-i0088
Scope and Contents

Vanderbilt photo identifier: SC.MSS.088.EMIL.0089; Public Notes:

Dates: 1610

Peasants in a Landscape, In this painting, several peasants sit in an expansive landscape. A dog sleeps curled in the foreground., c.1640-1645

 Item — Box 272: [Barcode: 30081049760592]
Identifier: spc-mss0088-s38-i0386
Scope and Contents

Vanderbilt photo identifier: SC.MSS.088.FREN.0364; Public Notes: This work previously belonged to the Durlacher Brothers.

Dates: c.1640-1645

Robert Rich, 2nd Earl of Warwick, Portraits of Robert Rich, the 2nd Earl of Warwick standing and wearing what appears to be Dutch armor. He looks directly at the viewer and holds a commander's baton in his right hand. His helmet sits on the ledge above his right shoulder., c.1635

 Item — Box 263: [Barcode: 30081049760501]
Identifier: spc-mss0088-s36-i0788
Scope and Contents

Vanderbilt photo identifier: SC.MSS.088.FLEM.0757; Public Notes: The accession number is 1944.8. Several copies exist. The photographer's mark is visible in the bottom left corner of the photograph.

Dates: c.1635

The Ecstasy of Saint Francis, Image depicting an angel holding Saint Francis after his stigmata. He is pictured with his eyes closed and in his Franciscan robes, circa 1595-1596

 Item — Box 245: [Barcode: 30081049760311]
Identifier: spc-mss0088-s28-i0035
Scope and Contents

Vanderbilt photo identifier: SC.MSS.088.CARA.0035; Original stamp identifier: Collezione Contini Bonadossi; Other stamp identifier: CV Stamp; Public Notes:

Dates: circa 1595-1596

The Fountain of Love, In this work, two lovers lean in to drink from the fountain of love in a dreamlike landscape. Putti surround the fountain and assist the couple in their drink., c.1785

 Item — Box 271: [Barcode: 30081049760584]
Identifier: spc-mss0088-s38-i0278
Scope and Contents

Vanderbilt photo identifier: SC.MSS.088.FREN.0269; Other stamp identifier: CV Stamp; Public Notes: The theme for this work is derived from a story by the Goncourts.

Dates: c.1785

The Fountain of Love, In this work, two lovers lean in to drink from the fountain of love in a dreamlike landscape. Putti surround the fountain and assist the couple in their drink., c.1785

 Item — Box 271: [Barcode: 30081049760584]
Identifier: spc-mss0088-s38-i0305
Scope and Contents

Vanderbilt photo identifier: SC.MSS.088.FREN.0292; Other stamp identifier: CV Stamp; Public Notes: The theme for this work is derived from a story by the Goncourts.

Dates: c.1785

Tobias and the Angel, Biblical scene with Tobias and Raphael the archangel

 Item — Box 107: [Barcode: 30081049758489]
Identifier: spc-mss0088-s02-ss02-i5030
Scope and Contents

Vanderbilt photo identifier: SC.MSS.088.FLOR.9949; Public Notes:

Dates: 1930 - 1967

About this Site

This site contains collection guides, or finding aids, to the archival collections held by Vanderbilt University Special Collections and University Archives, the History of Medicine Collection, and the Scarritt Bennett Center. Finding aids describe the context, arrangement, and structure of archival materials, allowing users to identify and request materials relevant to their research.

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