Box 10
Container
Contains 23 Results:
Heidi Schwartz (Letter, Paint Dress, Front & Back) - Tennessee, USA
Item — Box: 10, Folder: 1
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
The Caravan Gallery (Envelope-Front & -Back) & ‘The Man with the Green Man Tattoo’ - England
Item — Box: 10, Folder: 2
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
Duncan MacAskill (Front & Back) - Greece
Item — Box: 10, Folder: 3
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
Michele Barone (Box-Top, -Underside, & Open View) - Tennessee, USA - oversize
Item — Box: 10, Folder: 4
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
Jerry Winnett - Tennessee, USA
Item — Box: 10, Folder: 5
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
Belinda Smith (Front & Back) - Tennessee, USA
Item — Box: 10, Folder: 6
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
Otto D Sherman (Front & Back) - New York, USA - missing
Item — Box: 10, Folder: 7
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
David Morel ‘One of Nine’ (Front & Back) - Sent from Juan Jose Murillo, Chile
Item — Box: 10, Folder: 8
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
Tulio Restrepo (Front & Back) - Colombia
Item — Box: 10, Folder: 9
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
JHE - Tennessee, USA
Item — Box: 10, Folder: 10
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
Shawn Jackson (Front & Back) - Tennessee, USA
Item — Box: 10, Folder: 11
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
Connie Garrett ‘Reinvention’ - Tennessee, USA - oversize
Item — Box: 10, Folder: 12
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
Lenka Clayton & Michael Crowe - England
Item — Box: 10, Folder: 13
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
Platetone (Front & Back) - Tennessee, USA
Item — Box: 10, Folder: 14
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
Enzo Salanitro - Italy
Item — Box: 10, Folder: 15
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
Lothar Trott (Front & Back) - Switzerland
Item — Box: 10, Folder: 16
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
Michael Paul (Envelope-Front, -Back, & Insert) - Virginia, USA
Item — Box: 10, Folder: 17
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
Lillian Carland Malbasic (Envelope-Front) & ‘Reinvented Design’ - Serbia
Item — Box: 10, Folder: 18
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
Continuing Mail from Duncan MacAskill
Item — Box: 10, Folder: 19
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
Publications - Nashville Arts Magazine - April & August 2014
Item — Box: 10, Folder: 20
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
About this Site
This site contains collection guides, or finding aids, to the archival collections held by Vanderbilt University Special Collections and University Archives, the History of Medicine Collection, and the Scarritt Bennett Center. Finding aids describe the context, arrangement, and structure of archival materials, allowing users to identify and request materials relevant to their research.
Requesting Materials
Each finding aid contains a link to request materials from the collections. Collections can also be requested by emailing the repository directly through the library website. Each repository has its own location, hours, and contact information. Please consult the repository with questions about using the materials. Collections are non-circulating and must be used in the repository’s reading room. In many cases, the collections are stored off-site and require advance notice for retrieval.