Box 7
Container
Contains 17 Results:
Lori Odom ‘General Jasper’ (Front & Back) - Tennessee, USA
Item — Box: 7, Folder: 1
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
Rebecca Resinski (Front & Back) - Arizona, USA
Item — Box: 7, Folder: 2
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
David Morel ‘One of Nine’ (Front & Back) - Sent from Leslie Martensen, California, USA
Item — Box: 7, Folder: 3
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
John Guider ‘Portrait of Jason Brown for The Nashville Arts Magazine’ (Front & Back) - Tennessee, USA
Item — Box: 7, Folder: 4
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
Duncan MacAskill (Front & Back) - Germany
Item — Box: 7, Folder: 5
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
Lindsey Bailey & Sarah Johnson (Envelope-Front & -Back) - Lindsey Bailey (Front & Back) - Sarah Johnson (Front & Back) - Singapore
Item — Box: 7, Folder: 6
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
Rosanna Veronesi (Front & Back) - Italy
Item — Box: 7, Folder: 7
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
Lori Odom ‘Play Dog & his bitches’ (Front & Back) - Tennessee, USA
Item — Box: 7, Folder: 8
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
Consuelo Debiagi (Front & Back) - Brazil
Item — Box: 7, Folder: 9
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
Anne Bossenbroek (Front & Back) - The Netherlands
Item — Box: 7, Folder: 10
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
Willemien Visser (Front & Back) - Germany
Item — Box: 7, Folder: 11
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
Richard Canard (Front & Back) - Illinois, USA
Item — Box: 7, Folder: 12
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
Douglas Galloway ‘Close Order Lattice’ - Washington, USA
Item — Box: 7, Folder: 13
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
Duncan MacAskill (Front & Back) - Morocco
Item — Box: 7, Folder: 14
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
David Morel ‘One of Nine’ (Back) - FRONT DETACHED DURING TRANSIT THROUGH POSTAL SYSTEM - California, USA
Item — Box: 7, Folder: 15
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
Victor Femenias (Insert-Front & -Back) - Chile
Item — Box: 7, Folder: 16
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
BA Graphic Design Students at Chelsea College of Art & Design - London, England
Item — Box: 7, Folder: 17
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
About this Site
This site contains collection guides, or finding aids, to the archival collections held by Vanderbilt University Special Collections and University Archives, the History of Medicine Collection, and the Scarritt Bennett Center. Finding aids describe the context, arrangement, and structure of archival materials, allowing users to identify and request materials relevant to their research.
Requesting Materials
Each finding aid contains a link to request materials from the collections. Collections can also be requested by emailing the repository directly through the library website. Each repository has its own location, hours, and contact information. Please consult the repository with questions about using the materials. Collections are non-circulating and must be used in the repository’s reading room. In many cases, the collections are stored off-site and require advance notice for retrieval.