Box 6
Container
Contains 38 Results:
Obviousfront - Illinois, USA
Item — Box: 6, Folder: 1
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
Kaaren Hirschowitz Engel - Tennessee, USA
Item — Box: 6, Folder: 2
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
Mara Pauline (Envelope-Front, -Back, & Inserts) - California, USA
Item — Box: 6, Folder: 3
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
Michael R Grine ‘Waffles’ - Tennessee, USA
Item — Box: 6, Folder: 4
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
Keiichi Nakamura (Inserts) - Japan
Item — Box: 6, Folder: 5
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
Private World / i.g.h (Envelope-Front & -Back, Inside, Inserts-Front & -Back) - Arizona, USA
Item — Box: 6, Folder: 6
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
Marie Vailhe (Envelope-Front, -Back, & Insert) - France
Item — Box: 6, Folder: 7
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
Rodni (Book-Front & -Back, Inside pages & stickers) - California, USA
Item — Box: 6, Folder: 8
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
Richard Canard (Front & Back) - Illinois, USA
Item — Box: 6, Folder: 9
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
Kelley Luberecki ‘At the Feeder’ (Front & Back) - Tennessee, USA - oversize
Item — Box: 6, Folder: 10
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
Duncan MacAskill (Front & Back) - England
Item — Box: 6, Folder: 11
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
Amy Gieske ‘...The Reinvention of the Polaroid’ (Front & Back) - Kentucky, USA
Item — Box: 6, Folder: 12
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
Michael Iveson ‘Gammon Steaks’ (Insert) - England
Item — Box: 6, Folder: 13
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
Hanna Bayer (Envelope-Front & Insert) - Germany
Item — Box: 6, Folder: 14
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
Jeremy Jones (Envelope-Front, -Back, & Inserts) - Tennessee, USA
Item — Box: 6, Folder: 15
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
Kate Gilbert (Envelope-Front & Inserts) - Louisiana, USA
Item — Box: 6, Folder: 16
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
Cuan Miles (Front & Back) - South Africa
Item — Box: 6, Folder: 17
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
Cristina Rios Leme ‘Reinvencao’ - Brazil
Item — Box: 6, Folder: 18
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
Richard Canard (Front & Back) - Illinois, USA
Item — Box: 6, Folder: 19
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
Bradford Brooks - Tennessee, USA
Item — Box: 6, Folder: 20
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
About this Site
This site contains collection guides, or finding aids, to the archival collections held by Vanderbilt University Special Collections and University Archives, the History of Medicine Collection, and the Scarritt Bennett Center. Finding aids describe the context, arrangement, and structure of archival materials, allowing users to identify and request materials relevant to their research.
Requesting Materials
Each finding aid contains a link to request materials from the collections. Collections can also be requested by emailing the repository directly through the library website. Each repository has its own location, hours, and contact information. Please consult the repository with questions about using the materials. Collections are non-circulating and must be used in the repository’s reading room. In many cases, the collections are stored off-site and require advance notice for retrieval.