Box 3
Container
Contains 62 Results:
Juan Lopez de Ael (Front & Back) - Spain
Item — Box: 3, Folder: 1
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
Duncan MacAskill (Front & Back) - England
Item — Box: 3, Folder: 2
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
Schoko Casana Rosso - Germany
Item — Box: 3, Folder: 3
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
Moan Lisa (Envelope & Insert) - Iowa, USA
Item — Box: 3, Folder: 4
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
Keiichi Nakamura - Japan
Item — Box: 3, Folder: 5
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
Michael Wagner - Germany
Item — Box: 3, Folder: 6
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
BamBamArt - England
Item — Box: 3, Folder: 7
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
Judy Skolnick - District of Columbia, USA
Item — Box: 3, Folder: 8
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
Stephen Stephenson (Front & Back) - England
Item — Box: 3, Folder: 9
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
Duncan MacAskill (Front & Back) - England
Item — Box: 3, Folder: 10
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
Michael Wagner - Germany
Item — Box: 3, Folder: 11
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
Lancillotto Bellini (Envelope-Front, -Back, & Insert-Book) - Italy
Item — Box: 3, Folder: 12
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
Anacanela (Front & Back) - Belgium
Item — Box: 3, Folder: 13
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
Otto D Sherman (Envelope & Inserts) - New York, USA
Item — Box: 3, Folder: 14
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
Shauna Richardson (Top View & Under View) - England - oversize
Item — Box: 3, Folder: 15
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
Duncan MacAskill (Front & Back) - Spain
Item — Box: 3, Folder: 16
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
Matthew Rose (Front & Back) - France
Item — Box: 3, Folder: 17
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
Michael Wagner - Germany
Item — Box: 3, Folder: 18
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
Otto D Sherman (Envelope-Front, -Back, & Inserts) - New York, USA
Item — Box: 3, Folder: 19
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
Susie Hamilton ‘Supermarket 1’ & ‘Supermarket 2’ - England
Item — Box: 3, Folder: 20
Scope and Contents
From the Collection:
The collection of works came first from a call to participate in a Mail Art project “Reinvention.” The curator, Jason Brown, asked for works on a global and local scale with the theme of “Reinvention.” Brown’s project outline stated that his blog would display the received mail art, which the works would eventually go on exhibition in Nashville, Tennessee, and it gave no inhibitions. The technique of art was “free,” meaning, not limited to any media and the size was “free,” expressing no...
Dates:
2014 - 2020
About this Site
This site contains collection guides, or finding aids, to the archival collections held by Vanderbilt University Special Collections and University Archives, the History of Medicine Collection, and the Scarritt Bennett Center. Finding aids describe the context, arrangement, and structure of archival materials, allowing users to identify and request materials relevant to their research.
Requesting Materials
Each finding aid contains a link to request materials from the collections. Collections can also be requested by emailing the repository directly through the library website. Each repository has its own location, hours, and contact information. Please consult the repository with questions about using the materials. Collections are non-circulating and must be used in the repository’s reading room. In many cases, the collections are stored off-site and require advance notice for retrieval.