Box OS8
Contains 24 Results:
Archangel Saint Michael, Saint Andrew and Saint Francis of Assisi, In the foreground are the Saints Michael the Archangel, Andrew and Francis of Assisi. In the background is the scene of the Crucifixion of Christ with the Virgin Mary and Saints Mary Magdalene and John the Evangelist.
Vanderbilt photo identifier: SC.MSS.088.FLEM.OVER.0012; Public Notes: Quick Record; This piece was once part of the Marczell de Nemes Collection in Budapest.
Virgin and Child, Madonna and Child with a building in the background.
Vanderbilt photo identifier: SC.MSS.088.FLEM.OVER.0013; Public Notes: Quick Record
The Nativity with Donors and Saints Jerome and Leonard, The central panel depicts a nativity scene with the Holy Family among angels and livestock. On the left panel, Saint Jerome stands behind a male patron. On the right panel, Saint Leonard of Noblac stands behind a female patron.
Vanderbilt photo identifier: SC.MSS.088.FLEM.OVER.0014.1; Public Notes: Quick Record
Portrait of a Male Donor, A depiction of a male patron praying. On the wall at the top, left is a shield with the man's coat-of-arms. It signifies his relation to the Lomellini family. This painting may have been the left panel to a private triptych.
Vanderbilt photo identifier: SC.MSS.088.FLEM.OVER.0015.1; Public Notes: This piece is part of the Samuel H. Kress collection.; This is a basic record created to enable public access to scanned images. Full research on this image is pending. For assistance, please e-mail us at specialcollections@vanderbilt.edu
Portrait of a female donor, A depiction of a female patron praying. On the wall at the top, left is a shield with the woman's coat-of-arms. It signifies her relation to the Vivaldi's a prominent Genoese family. Below the shield is a woodcut image of Saint Elizabeth of Thuringia. Due to the inclusion of this woodcut, the patron's name could have also been Elizabeth. This painting may have been the right panel to a private triptych.
Vanderbilt photo identifier: SC.MSS.088.FLEM.OVER.0015.2; Public Notes: This piece is part of the Samuel H. Kress collection.; This is a basic record created to enable public access to scanned images. Full research on this image is pending. For assistance, please e-mail us at specialcollections@vanderbilt.edu
Portrait of a man, traditionally said to be Roger, Count Blitterswyk-Geldern, A portrait of a man holding a rosary. Surrounding him are coat-of-arms.
Vanderbilt photo identifier: SC.MSS.088.FLEM.OVER.0016; Public Notes: This piece was once attributed to Joos van Cleve the elder. It was sold at Wildenstein & Company in 1930 to Grenville L. Winthrop, who then bequeathed the painting to the Fogg Art Museum in 1942.; This is a basic record created to enable public access to scanned images. Full research on this image is pending. For assistance, please e-mail us at specialcollections@vanderbilt.edu
Death and the Miser, This image depicts the last moments in the life of the miser. A tiny monster at the edge of the bed is offering the miser money, while an angel tries to show the central figure the crucifix in the window. Death is at the door, with an arrow in is hand, and the miser must choose between good or evil.
Vanderbilt photo identifier: SC.MSS.088.FLEM.OVER.0017.1; Public Notes: This piece is part of the Kress collection. The study can be found at the Lourve.; This is a basic record created to enable public access to scanned images. Full research on this image is pending. For assistance, please e-mail us at specialcollections@vanderbilt.edu
Portrait of a Noble Lady, A portrait of a lady holding a jar.
Vanderbilt photo identifier: SC.MSS.088.FLEM.OVER.0018; Public Notes: This is a basic record created to enable public access to scanned images. Full research on this image is pending. For assistance, please e-mail us at specialcollections@vanderbilt.edu; This piece is similar to work by Ambrosius Benson named "Saint Mary Magdalene" fond at the Groenings Museum in Bruges, Belgium. This piece was one part of the C.J. Magnin Collection, N.Y.
Adoration of the Magi, A depiction of the adoration of the Magi
Vanderbilt photo identifier: SC.MSS.088.FLEM.OVER.0019; Public Notes: This is a basic record created to enable public access to scanned images. Full research on this image is pending. For assistance, please e-mail us at specialcollections@vanderbilt.edu; This piece seems to have once been the middle panel of a triptych.
Adoration of the Magi, Triptych depicting the scene of the adoration of the Magi.
Vanderbilt photo identifier: SC.MSS.088.FLEM.OVER.0020; Public Notes: This is a basic record created to enable public access to scanned images. Full research on this image is pending. For assistance, please e-mail us at specialcollections@vanderbilt.edu
Madonna and Child, An image of Madonna and Child
Vanderbilt photo identifier: SC.MSS.088.FLEM.OVER.0021; Public Notes: This is a basic record created to enable public access to scanned images. Full research on this image is pending. For assistance, please e-mail us at specialcollections@vanderbilt.edu
Portrait of a man, Portrait of a man
Vanderbilt photo identifier: SC.MSS.088.FLEM.OVER.0021; Public Notes: This is a basic record created to enable public access to scanned images. Full research on this image is pending. For assistance, please e-mail us at specialcollections@vanderbilt.edu
The Crucifixion, Depiction of Christ nailed to the cross
Vanderbilt photo identifier: SC.MSS.088.FLEM.OVER.0621; Public Notes: Illegible notes written in Italian on the back of the photograph
Noli me tangere,
Vanderbilt photo identifier: SC.MSS.088.TITI.OVER.0001; Public Notes: Quick Record
Noli me tangere, A painting of Christ with a hoe in front of a tree.
Vanderbilt photo identifier: SC.MSS.088.TITI.OVER.0002; Public Notes: Quick Record
Noli me tangere, A section of the "Noli me tangere," with the legs of Christ and the hand of Mary Magdalene
Vanderbilt photo identifier: SC.MSS.088.TITI.OVER.0003; Public Notes: Quick Record
Noli me tangere, A landscape scene of "Noli me tangere" with St. Mary Magdalene and a dog in the background.
Vanderbilt photo identifier: SC.MSS.088.TITI.OVER.0004; Public Notes: Quick Record
Noli me tangere, A landscape scene within "Noli me tangere" with a house and a dog.
Vanderbilt photo identifier: SC.MSS.088.TITI.OVER.0005; Public Notes: Quick Recrod
Noli me tangere, A scene from "Noli me tangere" with sheep
Vanderbilt photo identifier: SC.MSS.088.TITI.OVER.0006; Public Notes: Quick Record
Bacchus and Ariadne, Detail image of Bacchus' followers. They are playing musical instruments.
Vanderbilt photo identifier: SC.MSS.088.TITI.OVER.0007; Public Notes: Quick Recrod
About this Site
This site contains collection guides, or finding aids, to the archival collections held by Vanderbilt University Special Collections and University Archives, the History of Medicine Collection, and the Scarritt Bennett Center. Finding aids describe the context, arrangement, and structure of archival materials, allowing users to identify and request materials relevant to their research.
Requesting Materials
Each finding aid contains a link to request materials from the collections. Collections can also be requested by emailing the repository directly through the library website. Each repository has its own location, hours, and contact information. Please consult the repository with questions about using the materials. Collections are non-circulating and must be used in the repository’s reading room. In many cases, the collections are stored off-site and require advance notice for retrieval.