Box 271
Contains 227 Results:
An Angler by a Wooded River in an Extensive Landscape, with Buildings on a Hill Beyond, In this work, an angler is depicted to the right of the composition. He stands in an expansive landscape. In the distant background is a building on a hill.
Vanderbilt photo identifier: SC.MSS.088.FREN.0208; Public Notes: This work was originally adapted from an etching.
Landscape, In this work, two figures sit under a tree in an expansive landscape. To the right of the composition, cows wade in shallow water. To the left is a building on a rocky hill., c.1801
Vanderbilt photo identifier: SC.MSS.088.FREN.0209; Public Notes: This work was originally adapted from an etching. According to our photograph, this work once belonged in the collection of Mr. Leonard Duke.
The Lovers' Pilgrimage, In this painting, a young couple stands side by side. The man's face is in shadow as he looks back towards his lover who faces out towards the viewer. She has fair skin and wears a hat., c.1725
Vanderbilt photo identifier: SC.MSS.088.FREN.0210; Public Notes: According to this photograph, the painting once belonged in the collection of Alfred Goldschmidt.
Portrait of a Woman, This work is a portrait of a veiled woman.
Vanderbilt photo identifier: SC.MSS.088.FREN.0211; Public Notes:
Portrait of an Old Man, This work is a portrait of an old man wearing a hat.
Vanderbilt photo identifier: SC.MSS.088.FREN.0212; Public Notes: According to this photograph, the painting once belonged in the Aynard collection.
The Annunciation (exterior panels of the Burning Bush triptych), This work depicts the Annunciation. In the left panel, the archangel Gabriel appears holding a laurel branch. On the right panel, the Virgin Mary is depicted in devotion., 1476
Vanderbilt photo identifier: SC.MSS.088.FREN.0214; Public Notes: This work depicts the exterior panels of Froment's Burning Bush triptych (record SC.MSS.088.FREN.0228.
Miracle of Saint Mitre (detail), This work is a detail image of the male donors in the work the Miracle of Saint Mitre. The men kneel and clasp their hands in devotion., c.1480
Vanderbilt photo identifier: SC.MSS.088.FREN.0215; Public Notes:
Portrait of Marie d'Angleterre, This work is a portrait of Marie d'Angleterre. She is turned three-quarters to the left wearing a dark hat and looking at something outside of the picture plane. She holds a small jar in her hands and fiddles with a ring on her finger., c.1514
Vanderbilt photo identifier: SC.MSS.088.FREN.0216; Public Notes:
Portrait d'Enfant, This work is a portrait of a young child.
Vanderbilt photo identifier: SC.MSS.088.FREN.0217; Public Notes: Although this photograph indicates that this painting is housed at the Louvre, this information cannot be confirmed in the Louvre's online collection.
Madonna and Child with Donors (exterior panels of The Resurrection of Lazarus triptych), This image depicts the exterior panels of Froment's "The Resurrection of Lazarus." In our photograph, the panel on the left depicts the patron Francesco Coppini from Prato in prayer at his prie-dieu. His coat of arms hangs in the background above his head. A dog sits in the foreground and he is accompanied by two family members. On the right of our photograph is the Virgin Mary holding the Christ child. Both Mother and Child wear a crown., 1461
Vanderbilt photo identifier: SC.MSS.088.FREN.0218; Public Notes:
The Annunciation, In this painting, the archangel Gabriel appears to the Virgin Mary in an interior setting. The Virgin is seated at the left of the composition. On the right, Gabriel holds a banner announcing the birth of Christ., c.1500
Vanderbilt photo identifier: SC.MSS.088.FREN.0219; Public Notes:
Resurrection of Lazarus, This painting depicts Christ raising Lazarus from the grave. Several saints and a donor are present to witness the miracle. They all stand in the foreground of a landscape. In the background is a castle on a hill., c.1480
Vanderbilt photo identifier: SC.MSS.088.FREN.0220; Public Notes:
The Resurrection of Lazarus, This work is a triptych. In the center panel, Christ and a crowd look down at Lazarus in his grave. This is the moment in the story when Christ raises Lazarus from the dead. On the left interior panel, Martha clasps her hands in prayer as she kneels before Jesus asking for his help in healing her brother, Lazarus. On the right interior panel, Mary Magdalen washes Christ's feet and anoints him with expensive perfumes., 1461
Vanderbilt photo identifier: SC.MSS.088.FREN.0221; Public Notes: The exterior doors depict the patron Francesco Coppini from Prato and two family members praying to the Madonna and Child who appear on the opposite door.
The Resurrection of Lazarus (detail), This work is a detail image of the raising of Lazarus from the grave. His body is naked and emaciated and he is wrapped in cloth. His sisters, Mary Magdalen and Martha are both present to the left of the composition. A man kneels beside Lazarus untying his burial hands., 1461
Vanderbilt photo identifier: SC.MSS.088.FREN.0222; Public Notes: This work is a detail of the central panel of a triptych.
The Resurrection of Lazarus (detail), This work is a detail image of the window that appears in the right panel of The Resurrection of Lazarus triptych. In the distance, an aristocratic couple sit playing a board game in a landscape., 1461
Vanderbilt photo identifier: SC.MSS.088.FREN.0223; Public Notes: This work is a detail of the right panel of a triptych.
The Resurrection of Lazarus (interior panels), In this photograph, the panel on the left depicts Mary Magdalen kneeling before Christ as she washes his feet and anoints him with expensive perfumes. Others sit feasting at a table. In the background is a window through which can be seen an aristocratic couple playing a board game. In this photograph, the panel on the right depicts Saint Martha on bended knee as she pleads with Christ to save her brother Lazarus. Christ and Martha are surrounded by his followers and are depicted in an expansive landscape with a castle visible in the background. In the actual triptych, these panels are shown on opposite sides., 1461
Vanderbilt photo identifier: SC.MSS.088.FREN.0224; Public Notes: This photograph depicts the interior panels of the Fromenti triptych.
The Resurrection of Lazarus, This photograph depicts the central panel of Froment's triptych. Here, Christ and a crowd look down at Lazarus in his grave. This is the moment in the story when Christ raises Lazarus from the dead. Both Mary Magdalene and Saint Martha are present to the left of the composition. Saint Lazarus sits naked and emaciated as a man kneels beside him and assists him in untying his burial hands., 1461
Vanderbilt photo identifier: SC.MSS.088.FREN.0225; Public Notes: The exterior doors depict the patron Francesco Coppini from Prato and two family members praying to the Madonna and Child who appear on the opposite door.
The Resurrection of Lazarus, This photograph is a detail image from the central panel of Froment's triptych. Here, a crowd watches as Christ performs his miracle. The men on the right of the composition wearing turbans and elaborate costumes may be members of the Sanhedrin., 1461
Vanderbilt photo identifier: SC.MSS.088.FREN.0226; Public Notes:
The Resurrection of Lazarus (interior panel detail), In this detail image, Saint Martha is depicted on bended knee as she pleads with Christ to save her brother Lazarus. Christ and Martha are surrounded by his followers., 1461
Vanderbilt photo identifier: SC.MSS.088.FREN.0227; Public Notes: This work is a detail image from the left interior panel of the Fromenti triptych.
The Burning Bush (triptych), This work is a triptych. In the central panel, the Virgin Mary and Christ child are seated in the Burning Bush. On the ground below, an angel appears to Moses. The two are accompanied by a flock of sheep and goats. A Tuscan landscape is evident in the background. The donors of this work, presumably King Rene and his wife are depicted in devotion on the interior panels. They are each accompanied by their patron saints., 1476
Vanderbilt photo identifier: SC.MSS.088.FREN.0228; Public Notes: This work was commissioned by King Rene of Provence.
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