Box 214
Contains 137 Results:
Penitent Mary Magdalene, This image shows a "penitent" Mary Magdalene with open manuscript, inward facing skull, and glass vessel. Mary is clothed with her arms across the front of her body. Her head is tilted upward and to the left, with tears streaming from her eyes., c. 1565
Vanderbilt photo identifier: SC.MSS.088.TITI.0368; Public Notes: Artist is attributed on the print as Tiziano Vecellio. Attribution is in German to "Collection Hanfstaengl Munchen Kaiserl Ermitage St. Petersburg. This late-career iteration of Penitent Mary is described as part of the collection of the State Hermitage Museum, St. Petersburg and exhibited in 2002, but a corresponding image could not be found to confirm.
Lady in White, This image shows a lady in a white gown with a pearl necklace and holding a small flag in her hand., c. 1555
Vanderbilt photo identifier: SC.MSS.088.TITI.0369; Public Notes: Artist is attributed on the print as Tizian. Title is listed in German: "Dame in Weiss (Ausschnitt)." Attribution is in German to "Dresden, Gemaldegalerie," with a handwritten note, "n. 170" this photo was formerly located in a folder labeled "Dresda. 170, Attribuzione General, c. 1555"
Venus, This image shows a female nude with a partial wrap. Her hand is across her chest, and she wears a ring on her smallest finger. Her hair is braided and she looks to the right.
Vanderbilt photo identifier: SC.MSS.088.TITI.0370; Public Notes: Artist is attributed on the print as Tiziano. Printed description on the print includes "(Ed. ne Alinari) N.o 18293 VENEZIA - Palazzo della Ca d'Oro. Venere." this photo was formerly located in a folder labeled "Ca d'Oro, Opera Firmata c. 1555" [signed work] and a further handwritten note in Italian, including '1958' in parentheses. There is also a handwritten note in Italian on the back of the print.
Venus: detail, This image shows a female nude with a partial wrap. Her hand is across her chest, and she wears a ring on her smallest finger. Her hair is braided and she looks to the right.
Vanderbilt photo identifier: SC.MSS.088.TITI.0371; Public Notes: Artist is attributed on the print as Tiziano. Printed description on the print includes "O. Bohm - 624 - Venezia - Ca d'Oro - Tiziano - Venere - particolare." This photo was formerly located in a folder labeled "Ca d'Oro, Opera Firmata c. 1555" [signed work] and a further handwritten note in Italian, including '1958' in parentheses.
Portrait of the Artist, This image is a self portrait of Titian as an older man. He is seated with his right hand resting on the table and his left on his knee. He looks to the left., c. 1562
The Artist's Daughter Lavinia, This image is a portrait of one of Titian's daughters, Lavinia. She is wearing an elaborate gown and lifting a platter of fruit above her head. She looks over her shoulder and wears a decorate head dress., c. 1555
Salome with the Head of John the Baptist, This image is a portrait of Salome carrying the head of John the Baptist on a platter. She looks over her shoulder and wears a gown with open arms and low back, and a decorative head dress., 1549
Vanderbilt photo identifier: SC.MSS.088.TITI.0374; Public Notes: Artist is attributed on the print as Tiziano. Printed description on the print includes "16785 - Madrid - Salome - Tiziano - Gall. del Prado. - Ripr. Int." The painting is attributed in handwriting on the back "c. 1555-60." This photo was formerly located in a folder labeled "Ca d'Oro, Opera Firmata c. 1555" [signed work] and a further handwritten note in Italian, including '1958' in parentheses.
Portrait of Titian's Daughter Lavinia as a Married Woman, This image is a portrait of Titian's daughter Livinia later in life, presumably as a married woman. She wear an elaborate gown and holds a feather fan in her right arm. She looks to the right.
Vanderbilt photo identifier: SC.MSS.088.TITI.0375; Public Notes: Artist is attributed on the print as Tiziano Vecelli. Title is listed in German: "Bildnis von Tizian's Tochter Lavinia als Frau." Attribution is in German to "Dresden, Gemaldegalerie," with a handwritten note, "n. 170" this photo was formerly located in a folder labeled "Dresda. 170, Attribuzione General, c. 1555"
Portrait of Titian's Daughter Lavinia as a Married Woman: Detail, This image is a portrait of Titian's daughter Livinia later in life, presumably as a married woman. She wear an elaborate gown and holds a feather fan in her right arm. She looks to the right.
Vanderbilt photo identifier: SC.MSS.088.TITI.0376; Public Notes: Artist is attributed on the print as Tizian. Title is listed in German: "Lavinia, Tochter des Kunstlers (Ausschnitt)." Attribution is in German to "Dresden, Gemaldegalerie." This photo was formerly located in a folder labeled "Dresda. 170, Attribuzione General, c. 1555"
Lavinia, This image is a portrait of Titian's daughter Lavinia. She is wearing a gown with a drop back and looks over her shoulder. She is lifting a platter with a carved box.
Vanderbilt photo identifier: SC.MSS.088.TITI.0377; Public Notes: Artist is attributed on the print as Tizian. The handwritten notes on back include the following: "Tizian, 'Lavinia,' Southeby's 6-7-66, value at £4500"
Portrait of Philip II, This image is a portrait of Phillip II. He wears short pants and stands in partial profile.
Vanderbilt photo identifier: SC.MSS.088.TITI.0378; Public Notes: Artist is attributed on the print as Tiziano. The photographic attribution includes "5635 - NAPOLI - Ritratto di Filippo II - Tiziano - Museo Nazionale - Anderson, Roma."
Portrait of Philip II: detail, This image is a detail from the portrait of Phillip II. The detail is of his face and shoulders.
Vanderbilt photo identifier: SC.MSS.088.TITI.0379; Public Notes: The handwritten note on the back of the photograph includes "Napoli, Tiziano Vecellio Filippo II (detail)" and the number "3350." There is also a stamp from the photographer.
Portrait of Philip II: detail, This image is a detail from the portrait of Phillip II. The detail is of his midsection.
Vanderbilt photo identifier: SC.MSS.088.TITI.0380; Public Notes: The handwritten note on the back of the photograph includes "Napoli, Tiziano Vecellio Filippo II (detail)" and the number "3350." There is also a stamp from the photographer.
The Glory of God (Trinity), This painting is a biblical scene that includes Charles V praying to the Lord in the company of angles., 1551-54
Vanderbilt photo identifier: SC.MSS.088.TITI.0382; Public Notes: The artist is identified as Tiziano on the print, with the following caption: "16371 - MADRID - La gloria de Dio - Gall. del Prado - Ripr. interdetta - Anderson, Roma
Engraving after Titian's The Glory of God (Trinity), This engraving is after Titian's Glory of God (or Trinity), a biblical scene that includes Charles V praying to the Lord in the company of angels. Cornelius Cort was a Dutch engraver who lived in Italy., 1556
Vanderbilt photo identifier: SC.MSS.088.TITI.0383.1; Public Notes:
The Glory of God (Trinity), Titian's Glory of God (or Trinity) is a biblical scene that includes Charles V praying to the Lord in the company of angels., 1551-54
Vanderbilt photo identifier: SC.MSS.088.TITI.0383.2; Public Notes: This reproduction was included on the same page alongside an engraving by Dutch artist Cornelius Cort, who reproduced the painting in 1566.
The Glory of God (Trinity), Titian's Glory of God (or Trinity) is a biblical scene that includes Charles V praying to the Lord in the company of angels., 1551-54
Vanderbilt photo identifier: SC.MSS.088.TITI.0384; Public Notes: The artist is attributed at Tiziano with the following numbers on the back of the print: 4222, MG H227. There is a faded stamp for a gallery in London, as well as label titled "Attributed to" (attribuita da) with the handwritten note "Holmes, (abbz 30)."
Portrait of King Philip the II of Spain, One of many portraits of Philip II by Titian, this iteration shows Philip seated at a thrown with a royal crown and scepter in his hand., 1550-51
Vanderbilt photo identifier: SC.MSS.088.TITI.0385; Public Notes: The artist is attributed at Tiziano on the back of the print. There is a label for "general attribution" (attribuzione generale). The front of the clipping gives title and dimensions, as well as collection information. The collection o Mrs. Thomas A. Emery of Cincinnati has been crossed out and replaced by the Cincinnati Museum of Art.
Philip the II [in Armor], One of many portraits of Philip II by Titian, this iteration shows Philip standing in full ceremonial armor with one hand on his sword and the other on his helmet., 1548
Vanderbilt photo identifier: SC.MSS.088.TITI.0386; Public Notes: The following information is included on the face of the print: "16399 - MADRID - Tiziano - Filippo II - Gall. del Prado - Ripr. interdetta - Anderson"
Portrait of Prelate [Bishop] Beccarelli, A portrait of the bishop of Ravello, sent to Venice by Julius III. The bishop is seated with a paper note in his hand., 1552
Vanderbilt photo identifier: SC.MSS.088.TITI.0387; Public Notes: The following information is included on the face of the print: "9429 - FIRENZE - Prelato Beccarelli (Tiziano) Gall. Uffizi Ripoduzione interdetta Anderson Roma." On the print the subject is named as Prelate [Bishop] Beccarelli, but the sources name the subject as Bishop Beccadelli.
About this Site
This site contains collection guides, or finding aids, to the archival collections held by Vanderbilt University Special Collections and University Archives, the History of Medicine Collection, and the Scarritt Bennett Center. Finding aids describe the context, arrangement, and structure of archival materials, allowing users to identify and request materials relevant to their research.
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