Philippe de Champaigne
Found in 13 Collections and/or Records:
Child with Falcon, This painting depicts a young child standing and looking directly at the viewer. A falcon rests on the child's arm.
Vanderbilt photo identifier: SC.MSS.088.FREN.0089; Public Notes:
Dead Christ, This painting depicts the dead Christ lying on his stone sarcophagus. He is naked and wounded. His crown of thorns lies next to him.
Vanderbilt photo identifier: SC.MSS.088.FREN.0085; Public Notes:
Louis XIII Crowned by Victory (Siege of La Rochelle, 1628), In this portrait, King Louis XIII is crowned by Victory with a laurel wreath. He stands in contrapasto wearing a suit of armor and holding a scepter in his left hand., 1635
Vanderbilt photo identifier: SC.MSS.088.FREN.0092; Public Notes: This work was bought for 150 pounds on November 16, 1655. This piece once hung in the Gallery of Illustrious Men in the Palais-Royal.
Mother Catherine-Agnès Arnauld and Sister Catherine de Sainte Suzanne de Champaigne, the artist's daughter, This work depicts Mother Catherine-Agnès Arnauld and Sister Catherine de Sainte Suzanne de Champaigne. Both women wear the habit of their convent and they clasp their hands in prayer. A wooden cross hangs on the wall to the left and a ray of heavenly light shines from above., 1662
Vanderbilt photo identifier: SC.MSS.088.FREN.0088; Public Notes: This work was donated by the artist to the Convent of Port-Royal in Paris.
Omer Talon, This work is a portrait of Omer Talon. He looks directly at the viewer and hold a letter in his right hand. His left hand rests on a book which sits on a table beside him., 1649
Portrait de Jean Antoine de Mesme, In this painting, Jean Antoine de Mesme sits in the center of the composition and looks directly at the viewer. He is turned three-quarters to the right and holds a letter in his right hand. His left hand rests on an object that sits on his side. In the background is a column and a draping curtain.
Vanderbilt photo identifier: SC.MSS.088.FREN.0084; Public Notes:
Portrait of a Man called Fouquet, This work depicts a man presumably Nicolas Fouquet shown from the chest up and turned three-quarters to the right. He wears a faint mustache and a starched white collar and looks directly at the viewer., C.1670
Vanderbilt photo identifier: SC.MSS.088.FREN.0086; Public Notes:
Portrait of a Man, In this painting a man is depicted in three-quarters view. He is turned to the left and looks directly at the viewer. He wears a suit of armor and a large starched collar.
Vanderbilt photo identifier: SC.MSS.088.FREN.0091; Public Notes:
Portrait of Cardinal Richelieu, This painting depicts Cardinal Richelieu standing wearing an ornate red robe and holding a Cardinal hat in his hand. He looks directly at the viewer and signs a kind of blessing with his left hand. He stands in front of an ornate hanging fabric., c.1639
Vanderbilt photo identifier: SC.MSS.088.FREN.0083; Public Notes:
Portrait of Colbert, This painting is presumably a portrait of Jean Baptiste Colbert. The sitter if depicted in half-length and turned three-quarters to the left. His right hand rest across his chest while his left hand holds a letter.
Vanderbilt photo identifier: SC.MSS.088.FREN.0087; Public Notes:
Portrait of Robert Arnauld d'Andilly, This portrait depicts Robert Arnauld d'Andilly standing at a balcony or windowsill. His face is turned to the left composition and he looks downward. He rests his hand on the ledge in front of him.
Vanderbilt photo identifier: SC.MSS.088.FREN.0082; Public Notes:
The Presentation at the Temple, In this painting, Christ is presented at the Temple in front of a portico with Corinthian columns. Saint Simeon holds the Christ child. Mary and Joseph watch from the left of the composition. A crowd gathers on the right with Saint Anna., 1648
Vanderbilt photo identifier: SC.MSS.088.FREN.0093; Public Notes: According to our photograph, this piece was sold at Christie's in 1963.
The Provost of the Merchants and Aldermen of Paris, This work depicts the Provost of the merchants and aldermen of Paris. They are all depicted kneeling in prayer. In the center of the composition stands a prie-dieu, on which a crucifix and a prayer book sit., 1648
Vanderbilt photo identifier: SC.MSS.088.FREN.0090; Public Notes:
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