Robert Campin (alternatively: Master of Merode; Master of Merode)

 Person

Found in 4 Collections and/or Records:

Portrait of a Fat Man, Portrait of an unknown fat man sitting in three-quarter view. His hair is cut very short and he wears a fur collar., c. 1430

 Item — Box 261: [Barcode: 30081049760485]
Identifier: spc-mss0088-s36-i0395
Scope and Contents

Vanderbilt photo identifier: SC.MSS.088.FLEM.0374; Public Notes: This painting was once attributed to Rogier van der Weyden. The identity of this sitter has been debated. He has been previously as Robert de Masmines and Niccolo Strozzi. The sitter looks similar to Van der Weyden's portrayal of Nicodemus in the "Descent from the Cross."

Dates: c. 1430

Portrait of a Man, This painting depicts a portrait of an unknown man. He sits in three-quarter view and wears a red turbin., c. 1435

 Item — Box 261: [Barcode: 30081049760485]
Identifier: spc-mss0088-s36-i0396
Scope and Contents

Vanderbilt photo identifier: SC.MSS.088.FLEM.0375; Public Notes: This painting and Campin's "Portrait of a Woman" (also found in the National Gallery, London) were presumably once joined together as a diptych. It is assumed that the man and woman were husband and wife.

Dates: c. 1435

Virgin Suckling the Christ Child, This small round painting depicts the Virgin Mary nursing the Christ child. She gazes down lovingly at her son who looks out toward the viewer. She wears a turban like headscarf.

 Item — Box 261: [Barcode: 30081049760485]
Identifier: spc-mss0088-s36-i0391
Scope and Contents

Vanderbilt photo identifier: SC.MSS.088.FLEM.0371.1; Public Notes: Here Christ is depicted to the left of Mary. In other variation, he is depicted on the right.

Dates: 1930 - 1967

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