Jan van Eyck
Found in 18 Collections and/or Records:
Adoration of the Magi, Triptych depicting the Adoration of the Magi.
Vanderbilt photo identifier: SC.MSS.088.FLEM.0270; Public Notes: This painting has also been attributed to a "mannerist of Antwerp".
Bust Portrait of a Pilgrim, Portrait of a pilgrim.
Vanderbilt photo identifier: SC.MSS.088.FLEM.0269; Public Notes:
Lucca Madonna, A detail of a painting (not photographed) of Madonna and Child breastfeeding. The rest of the painting is an interior setting., c. 1436
Vanderbilt photo identifier: SC.MSS.088.FLEM.0255; Public Notes:
[Madonna and Child with Saints], A depiction of Madonna and Child with Saints John the Baptist and Jerome.
Vanderbilt photo identifier: SC.MSS.088.FLEM.0085; Public Notes: The painting's artist is either Jan van Eyck or a painter from the school of van Eyck. This piece was once owned by Marczell de Nemes in Budapest and then came into the ownership of Ant. W.M. Mensing in Amsterdam, November 1928.
Portrait of a Man ("Leal Souvenir"), Portrait of a man. The inscription, "Leal Souvenir" translates to "Loyal Rememberance"., 1432
Vanderbilt photo identifier: SC.MSS.088.FLEM.0261; Public Notes:
Portrait of a Man/The Man with the Red Turban, Portrait of a man wearing a red turban. Some scholars believe this may be a self-portrait., 1433
Vanderbilt photo identifier: SC.MSS.088.FLEM.0259; Public Notes:
Saint Jerome in His Study, A depiction of Saint Jerome reading a book in his study, accompanied by a lion., c. 1435
Vanderbilt photo identifier: SC.MSS.088.FLEM.0249; Public Notes: This piece was once attributed as a collaboration between Jan van Eyck and Petrus Christus.
The Annunciation, A depiction of the biblical scene of the Annunciation to the Virgin Mary., c. 1434-1436
Vanderbilt photo identifier: SC.MSS.088.FLEM.0256; Public Notes: This painting may have once been the left wing of a triptych.
The Arnolfini Portrait, A portrait of Giovanni Arnolfini and his wife in their bedroom., 1434
Vanderbilt photo identifier: SC.MSS.088.FLEM.0257; Public Notes:
The Arnolfini Portrait, Detail of Giovanni Arnolfini's wife., 1434
Vanderbilt photo identifier: SC.MSS.088.FLEM.0258; Public Notes:
The Crucifixion; The Last Judgment, A possible diptych illustrating the biblical scenes of the Crucifixion and the Last Judgment., ca. 1430
Vanderbilt photo identifier: SC.MSS.088.FLEM.0250; Public Notes: The painting was created by Jan van Eyck and a workshop assistant. It has formerly been attributed to Hubert van Eyck.
The Dresden Triptych, Detail of the central panel depicting Madonna and Child., 1437
Vanderbilt photo identifier: SC.MSS.088.FLEM.0254; Public Notes:
The Dresden Triptych, Madonna and Child enthroned with Saint Michael the Archangel and a patron on the left and Saint Catherine of Alexandria on the right., 1437
Vanderbilt photo identifier: SC.MSS.088.FLEM.0253; Public Notes:
The Madonna of the Provost of Maelbeke, A depiction of Madonna and Child with the patron, Nicholas van Maelbeke, provost of Saint Martin's Cathedral in Ypres, Belgium. This central panel is paired with two outer wings (not photographed) which seems to be unfinished. The original painting was the artist's last work before he died. The original was removed from the cathedral and was lost during the French occupation of the Netherlands. Non-extant., ca. 1441
Vanderbilt photo identifier: SC.MSS.088.FLEM.0265; Public Notes: This piece is or was once part of the "Berlin" Collection. It was brought to the Van Diemen Galleries around 1930 to be cleaned. The 1629 copy of this painting can be found at the Groeningemuseum in Bruges, Belgium.
The Madonna of the Provost of Maelbeke, A detail of Madonna and Child., c. 1441
Vanderbilt photo identifier: SC.MSS.088.FLEM.0266; Public Notes: This piece is or was once part of the "Berlin" Collection. It was brought to the Van Diemen Galleries around 1930 to be cleaned. The 1629 copy of this painting can be found at the Groeningemuseum in Bruges, Belgium.
Three Marys at the Sepulcher, The three Marys - Mary of Cleophas, Mary Magdalene and Mary of Salome - at the tomb of Christ., c. 1450
Vanderbilt photo identifier: SC.MSS.088.FLEM.0251; Public Notes: The painting has also been attributed to Hubert van Eyck.
Three Marys at the Sepulcher, The three Marys - Mary of Cleophas, Mary Magdalene and Mary of Salome - at the tomb of Christ., c. 1450
Vanderbilt photo identifier: SC.MSS.088.FLEM.0252; Public Notes: The painting has also been attributed to Hubert van Eyck.
Unknown Portrait, Portrait of a man. This image may be a detail of a larger painting.
Vanderbilt photo identifier: SC.MSS.088.FLEM.0268; Public Notes:
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