Rembrandt van Rijn (alternatively: Rembrandt)
Found in 16 Collections and/or Records:
Adoration of the Magi, The nativity of Jesus Christ, with the Magi.
Vanderbilt photo identifier: SC.MSS.088.REMB.0004; Public Notes: From the Dr. Olof Granberg Collection; gifted to the Gothenburg Museum of Art by Gustaf Werner in 1923.; Part of Harvard University's "Image of the Black in Western Art" collection.; Replica of a lost painting.
An Old Man Praying, A portrait of an old man sitting at a table reading from a large book.
Vanderbilt photo identifier: SC.MSS.088.DUTC.0732; Other stamp identifier: ALLE RECHTE VORBEHALTEN. KUNSTVERLAG WOLFRUM WIEN, I. AUGUSTINERSTRASSE 10; Public Notes: Inscription on painting says Rembrandt,but this painting could not be found in a list of works by Rembrandt.
Christ at the Column of Torture, Jesus leans against a column waiting to be tortured., c. 1628
Vanderbilt photo identifier: SC.MSS.088.REMB.0009; Public Notes: From the Edouard Aynard Collection in Paris; Then in the Dr. Abraham Bredius Collection in Amsterdam.
Christ in the Storm on the Sea of Galilee, Jesus and the twelve Apostles during the storm on the sea of Galilee., 1633
Vanderbilt photo identifier: SC.MSS.088.REMB.0008; Public Notes: Purchased in 1898 from Colnaghi and Wertheimer, London, through Berenson. Stolen in 1990 from the Dutch Room in the Isabella Stewart Gardner Museum.
Evangelist Writing, Man sits writing at a desk, wearing a turban. He seems to be an apostle of sorts., early 1660s
Vanderbilt photo identifier: SC.MSS.088.REMB.0015; Public Notes:
Holy Family Breaking Bread, The Holy Family gathered around a table to break bread.
Vanderbilt photo identifier: SC.MSS.088.REMB.0001; Public Notes:
Holy Family (Household of the Carpenter), Mary feeding Jesus as Joseph works., 1640
Vanderbilt photo identifier: SC.MSS.088.REMB.0006; Public Notes:
Lucretia, In the bottom right-hand corner, Rembrandt has signed his name and the date. The work depicts the Roman historical figure of Lucretia who, after being dishonored by local tyrant's son, stabs herself. Rembrandt paints her in deep sadness and contrasts heavily between light and darkness., 1666
Vanderbilt photo identifier: SC.MSS.088.REMB.0048; Public Notes: This is a basic record created to enable public access to scanned images. Full research on this image is pending. For assistance, please e-mail us at specialcollections@vanderbilt.edu.
Pilgrims at Emmaus, Jesus Christ breaking bread with apostles at Emmaus., 1648
Vanderbilt photo identifier: SC.MSS.088.REMB.0003; Public Notes:
Priest, Bishop reading book., 1632
Vanderbilt photo identifier: SC.MSS.088.REMB.0002; Public Notes:
Self-Portrait, In his self-portrait, Rembrandt is seated 3/4 position with his face directed at the audience., 1659
Vanderbilt photo identifier: SC.MSS.088.REMB.0102; Public Notes: This is a basic record created to enable public access to scanned images. Full research on this image is pending. For assistance, please e-mail us at specialcollections@vanderbilt.edu.
Self Portrait, Rembrandt's self portrait with a large hat and collar., 1632
Vanderbilt photo identifier: SC.MSS.088.REMB.0013.2; Public Notes: Gifted by Sir William and Lady Constance Burrell to the City of Glasgow in 1946.
The Entombment, Jesus Christ is laid in the tomb., c. 1632
Vanderbilt photo identifier: SC.MSS.088.REMB.0013.1; Public Notes: A preparatory sketch for the canvas seen in SC.MSS.088.REMB.0014; Collected by Dr. William Hunter in the 18th century.
The Entombment, Jesus Christ is laid in the tomb., 1639
Vanderbilt photo identifier: SC.MSS.088.REMB.0014; Public Notes: Previously held in Dresden.; A preparatory sketch for this canvas can be found at SC.MSS.088.REMB.0013.1.
The Visitation, Mary visits Elizabeth. A peacock can be seen in the corner., 1640
The Woman taken in Adultery, Jesus protects the adulteress at the temple., 1644
Vanderbilt photo identifier: SC.MSS.088.REMB.0005; Public Notes: Bought in 1824.
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