Agnolo Bronzino
Found in 136 Collections and/or Records:
Ritratto di Piero de'Medici, Duca d'Urbino., Picture of Piero smiling look in three quarter view and with beards and mustaches on his face.
Vanderbilt photo identifier: SC.MSS.088.FLOR.10807; Public Notes: This is a basic record created to enable public access to scanned images. Full research on this image is pending. For assistance, please e-mail us at specialcollections@vanderbilt.edu
Ritratto di Piero di Lorenzo de'Medici, Picture of Piero of Lawrence in a three quarter view with long hair and puts hat on his head.
Vanderbilt photo identifier: SC.MSS.088.FLOR.10803; Public Notes: This is a basic record created to enable public access to scanned images. Full research on this image is pending. For assistance, please e-mail us at specialcollections@vanderbilt.edu
Ritratto di Pietro di Cosimo de'Medici, A picture of the young Pietro looking in three quarter view.
Vanderbilt photo identifier: SC.MSS.088.FLOR.10813; Public Notes: This is a basic record created to enable public access to scanned images. Full research on this image is pending. For assistance, please e-mail us at specialcollections@vanderbilt.edu
Ritratto di una donna ignota, A depiction of an unknown woman flipping coins.
Vanderbilt photo identifier: SC.MSS.088.FLOR.10770; Public Notes: This is a basic record created to enable public access to scanned images. Full research on this image is pending. For assistance, please e-mail us at specialcollections@vanderbilt.edu
Ritratto d'ignoto, Picture of Ignoto in three quarter view.
Vanderbilt photo identifier: SC.MSS.088.FLOR.10750; Public Notes: This is a basic record created to enable public access to scanned images. Full research on this image us pending. For assistance, please e-mail us at specialcollections@vanderbil.edu.
Ritratto d'Ipollito di Giulinao de'Medici, Cardinale., Depiction of Monk Giuliano with headgear(hut) and looking in three quarter view.
Vanderbilt photo identifier: SC.MSS.088.FLOR.10806; Public Notes: This is a basic record created to enable public access to scanned images. Full research on this image is pending. For assistance, please e-mail us at specialcollections@vanderbilt.edu
Saint Bonaventure, A portrait of Saint Bonaventure.
Vanderbilt photo identifier: SC.MSS.088.STUD.0528; Public Notes: This is a basic record created to enable public access to scanned images. Full research on this image is pending. For assistance, please e-mail us at specialcollections@vanderbilt.edu.
Saint John Baptist, Picture of Saint John Baptist pointing to his back with his fingers.
Vanderbilt photo identifier: SC.MSS.088.FLOR.10758; Public Notes: This is a basic record created to enable public to access scanned images. Full research on this image is pending. For assistance, please e-mail us at specialcollections@vanderbilt.edu.
Study for the frescoes in S. Lorenzo . Paris , Louvre, Depiction of a naked man sleeping on his bed.
Vanderbilt photo identifier: SC.MSS.088.FLOR.10823; Public Notes: This is a basic record created to enable public access to scanned images. Full research on this image is pending. For assistance, please e-mail us at specialcollections@vanderbilt.edu
The Dead Christ Between the Virgin and Mary Magdalene, The painting shows Christ after his death on the cross held by his mother Mary and follower Mary Magdalene. Christ is not centered but off to the viewer's left. Though he has just endured the Passion, he is rendered white, palid, and almost untouched by wounds and blood--save for his brow and the right side of his chest. Mary the Mother of Christ wears a red garment, white veil, and purple cloak over top. Mary Magdalene attempts to clutch at Christ's right outer thigh, and holds her chest with her left hand. Behind the figures is a nondescript landscape with trees and mountains in the far distance, but no markers of the narrative scene or events. This is a basic record created to enable public access to scanned images. Full research on this image is pending., Late 1520s
Vanderbilt photo identifier: SC.MSS.088.FLOR.10701; Public Notes: The caption incorrectly attributes the artist and notes the work was once housed in the R. Galleria Antica and Moderna.
The Madonna and Child with Saint John the Baptist and Saint Elizabeth, The painting shows the Madonna and Child with Mary's cousin Saint Elizabeth and her son Saint John the Baptist. Mary the Mother of Christ and the child gaze at one another as the nude child sits close to her face; she supports him with her right arm and holds a book in her hand.. He rests a garland on his head with his right hand and holds out a wooden crucifix in his left. This is traditionally associated with Saint John the Baptist, who is held against Mary's waist with her left hand. This child looks up at Jesus and offers him berries with his right hand from a bowl in his left. The artist shows a trace of the camel skin coat that the saint wears as an adult. Behind Mary's left shoulder Saint Elizabeth loos down at her son John. She wears a white veil, while Mary's is thin and translucent. Mary's garment is also bright with a lighter shoulder cloth and a blue cloak. The background shows a non distinct landscape setting. This record is identical to SC.MSS.088.FLOR.10702, though the photographic source is different. This is a basic record created to enable public access to scanned images. Full research on this image is pending., 1540
Vanderbilt photo identifier: SC.MSS.088.FLOR.10703; Public Notes: The caption attributes the artist and notes the former owner Sir George Faudel Phillips Bart. Another note mentions Hertford.
The Madonna and Child with Saint John the Baptist and Saint Elizabeth, The painting shows the Madonna and Child with Mary's cousin Saint Elizabeth and her son Saint John the Baptist. Mary the Mother of Christ and the child gaze at one another as the nude child sits close to her face; she supports him with her right arm and holds a book in her hand.. He rests a garland on his head with his right hand and holds out a wooden crucifix in his left. This is traditionally associated with Saint John the Baptist, who is held against Mary's waist with her left hand. This child looks up at Jesus and offers him berries with his right hand from a bowl in his left. The artist shows a trace of the camel skin coat that the saint wears as an adult. Behind Mary's left shoulder Saint Elizabeth loos down at her son John. She wears a white veil, while Mary's is thin and translucent. Mary's garment is also bright with a lighter shoulder cloth and a blue cloak. The background shows a non distinct landscape setting. This record is identical to SC.MSS.088.FLOR.10703, though the photographic source is different. This is a basic record created to enable public access to scanned images. Full research on this image is pending., 1540
Vanderbilt photo identifier: SC.MSS.088.FLOR.10702; Public Notes: The caption attributes the artist and notes the former owner Sir George Faudel Phillips Bart. Another note mentions Hertford.
The Madonna and Child with Saint John the Baptist and Saint Elizabeth, The painting shows the Madonna and Child with Mary's cousin Saint Elizabeth and her son Saint John the Baptist. Mary the Mother of Christ and the child gaze at one another as the nude child sits close to her face; she supports him with her right arm and holds a book in her hand.. He rests a garland on his head with his right hand and holds out a wooden crucifix in his left. This is traditionally associated with Saint John the Baptist, who is held against Mary's waist with her left hand. This child looks up at Jesus and offers him berries with his right hand from a bowl in his left. The artist shows a trace of the camel skin coat that the saint wears as an adult. Behind Mary's left shoulder Saint Elizabeth loos down at her son John. She wears a white veil, while Mary's is thin and translucent. Mary's garment is also bright with a lighter shoulder cloth and a blue cloak. The background shows a non distinct landscape setting. This record is identical to SC.MSS.088.FLOR.10703, though the photographic source is different. This is a basic record created to enable public access to scanned images. Full research on this image is pending., 1540
Vanderbilt photo identifier: SC.MSS.088.FLOR.10702; Public Notes: The caption attributes the artist and notes the former owner Sir George Faudel Phillips Bart. Another note mentions Hertford.
The Resurrection, Depiction of the resurrection of Jesus Christ from death and angels surround him and the tomb guards assigned by the king fall down to the earth.
Vanderbilt photo identifier: SC.MSS.088.FLOR.10756; Public Notes: This is a basic record created to enable public access to scanned images. Full research on this image is pending. For assistance, please e-mail us at specialcollections@vanderbilt.edu
The Saint,
Vanderbilt photo identifier: SC.MSS.088.FLOR.10791; Public Notes:
Woman of John and her Son, Picture depicting woman of John seats in three quarter view and her son stands beside her ,he lays his hand on the chair and he touches the chain in his mother's cloth with the other hand..
Vanderbilt photo identifier: SC.MSS.088.FLOR.10786; Public Notes: This is a basic record created to enable public access to scanned images. Full research on this image is pending. For assistance, please e-mail us at specialcollections@vanderbilt.edu
About this Site
This site contains collection guides, or finding aids, to the archival collections held by Vanderbilt University Special Collections and University Archives, the History of Medicine Collection, and the Scarritt Bennett Center. Finding aids describe the context, arrangement, and structure of archival materials, allowing users to identify and request materials relevant to their research.
Requesting Materials
Each finding aid contains a link to request materials from the collections. Collections can also be requested by emailing the repository directly through the library website. Each repository has its own location, hours, and contact information. Please consult the repository with questions about using the materials. Collections are non-circulating and must be used in the repository’s reading room. In many cases, the collections are stored off-site and require advance notice for retrieval.