Alte Pinakothek, Staatsgemaldesammlungen, Munich, Germany
Found in 125 Collections and/or Records:
Adoration of the Magi, In this image we see the Virgin and Child surrounded by Joseph and the three Magi while several other followers stand in the background. The scene is set in a Romanesque ruin converted into a stable. In the foreground, one king leans to kiss Christ's hand, while the others stand holding their gifts. Joseph stands to the left of Mary and Christ. The patron of the painting is depicted behind him kneeling behind a stone wall. A crucifix hangs above Mary's head on the stable, which houses a donkey and a cow. In the bottom right corner sits a greyhound., c.1450-1456
Vanderbilt photo identifier: SC.MSS.088.FLEM.0579; Public Notes: This piece is the central panel for the triptych with the Adoration of the Magi, the "Columba Altarpiece."
Adoration of the Magi, The Virgin Mary sits with the Christ child in her lap as the magi, kings and others come to look upon the child. Joseph stands behind Mary and Jesus, all with halos., 1753
Vanderbilt photo identifier: SC.MSS.088.TIEP.0094; Other stamp identifier: CV Stamp; Public Notes: This is a basic record created to enable public access to scanned images. Full research on this image is pending. For assistance, please e-mail us at specialcollections@vanderbilt.edu.
Altar of Sant'Apollonia, Section of a dismembered altarpiece depicting Mary Magdalene., 1517
Vanderbilt photo identifier: SC.MSS.088.FLOR.9825; Public Notes: Related images: SC.MSS.088.FLOR.9822-25. Sections located in different collections: Alte Pinakothek, Staatsgemaldesammlungen, Munich, Germany; Corsham Court, Wiltshire, England; Galleria dell' Accademia, Florence, Italy; Villa I Tatti, Harvard Center for Renaissance Study, Settignano (near Florence), Italy
Altar of Sant'Apollonia, Section of a dismembered altarpiece depicting Saint Apollonia., 1517
Vanderbilt photo identifier: SC.MSS.088.FLOR.9824; Public Notes: Related images: SC.MSS.088.FLOR.9822-25. Sections located in different collections: Alte Pinakothek, Staatsgemaldesammlungen, Munich, Germany; Corsham Court, Wiltshire, England; Galleria dell' Accademia, Florence, Italy; Villa I Tatti, Harvard Center for Renaissance Study, Settignano (near Florence), Italy
Altar of Sant'Apollonia, Section of a dismembered altarpiece depicting Saint John the Baptist., 1517
Vanderbilt photo identifier: SC.MSS.088.FLOR.9823; Public Notes: Related images: SC.MSS.088.FLOR.9822-25. Sections located in different collections: Alte Pinakothek, Staatsgemaldesammlungen, Munich, Germany; Corsham Court, Wiltshire, England; Galleria dell' Accademia, Florence, Italy; Villa I Tatti, Harvard Center for Renaissance Study, Settignano (near Florence), Italy
Amori di Rinaldo e Armida, Armida rests her arm around Rinaldo's neck as they sit in some sort of courtyard., c. 1753
Vanderbilt photo identifier: SC.MSS.088.TIEP.0290; Other stamp identifier: ORIGNALAUFNAHME DER BAYR. STAATSOEMALDESAMMLUNGEN; CV Stamp; Public Notes: This is a basic record created to enable public access to scanned images. Full research on this image is pending. For assistance, please e-mail us at specialcollections@vanderbilt.edu
Annunciation Pinnacle, Annunciate Gabriel in a courtyard., 1475-1500
Vanderbilt photo identifier: SC.MSS.088.FLOR.9172; Public Notes: Related images: SC.MSS.088.FLOR.9171-9174)
Annunciation Pinnacle, Annunciate Virgin Mary seated in a sheltered courtyard., 1475-1500
Vanderbilt photo identifier: SC.MSS.088.FLOR.9171; Public Notes: Related images: SC.MSS.088.FLOR.9171-9174)
Annunciation Pinnacle, Group of saints., 1475-1500
Vanderbilt photo identifier: SC.MSS.088.FLOR.9173; Public Notes: Related images: SC.MSS.088.FLOR.9171-9174)
Annunciation Pinnacle, Group of saints., 1475-1500
Vanderbilt photo identifier: SC.MSS.088.FLOR.9174; Public Notes: Related images: SC.MSS.088.FLOR.9171-9174)
Annunciation to the Virgin, Detail of God the Father and angels., c. 1440
Vanderbilt photo identifier: SC.MSS.088.FLOR.5239; Public Notes:
Annunciation to the Virgin, Detail of Saint Gabriel the Archangel., c. 1440
Vanderbilt photo identifier: SC.MSS.088.FLOR.5238; Public Notes:
Annunciation to the Virgin, Detail of the Virgin Mary., c. 1440
Vanderbilt photo identifier: SC.MSS.088.FLOR.5237; Public Notes:
Annunciation with Saints, Biblical scene of Gabriel's announcement to the Virgin Mary flanked by Saint Sebastian and Saint Lucy., 1503-1506
Vanderbilt photo identifier: SC.MSS.088.FLOR.9800; Public Notes:
Baptism of Christ, Baptism of Christ., 1550
Vanderbilt photo identifier: SC.MSS.088.UMBR.2649.1; Public Notes:
Battle of Legnano (Federico I Gonzaga libera Legnano dall'assedio degli svizzeri), This is a very detailed image of the Battle of Legnano, c 1578-1579
Vanderbilt photo identifier: SC.MSS.088.VENI.3606; Public Notes: This is a basic record created to enable public access to scanned images. Full research on this image is pending. For assistance, please e-mail us at specialcollections@vanderbilt.edu.
Battle of Taro, This is a very detailed painting depicting the Battle of Taro, c 1578-1579
Vanderbilt photo identifier: SC.MSS.088.VENI.3605; Public Notes: This is a basic record created to enable public access to scanned images. Full research on this image is pending. For assistance, please e-mail us at specialcollections@vanderbilt.edu.
Carrying the Cross, Jesus carries the cross as a Roman guard roughly holds him. Saint Veronica, holding a white cloth, sheds tears.
Vanderbilt photo identifier: SC.MSS.088.VERS.0306; Public Notes: This is a basic record created to enable public access to scanned images. Full research on this image is pending. For assistance, please e-mail us at specialcollections@vanderbilt.edu
Christ and the Virgin Mary, Christ and the Virgin Mary with God the Father, with the Annunciation to the Virgin Mary above., 1495
Vanderbilt photo identifier: SC.MSS.088.FLOR.8284; Public Notes:
Christ Crowned with Thorns, Scene with figures beating and crowning Jesus with the crown of thorns, 1570-1576
Vanderbilt photo identifier: SC.MSS.088.TITI.0520; Public Notes: This painting may have been owned by Tintoretto, and later owned by his son Domenico Tintoretto.
This is a basic record created to enable public access to scanned images. Full research on this image is pending. For assistance, please email us at specialcollections@vanderbilt.edu
About this Site
This site contains collection guides, or finding aids, to the archival collections held by Vanderbilt University Special Collections and University Archives, the History of Medicine Collection, and the Scarritt Bennett Center. Finding aids describe the context, arrangement, and structure of archival materials, allowing users to identify and request materials relevant to their research.
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