Palazzo Ducale, Urbino, Italy
Found in 46 Collections and/or Records:
Battista Sforza, Profile portrait of Battista Sforza.
Vanderbilt photo identifier: SC.MSS.088.SIEN.0918; Public Notes:
Bust of Saint John the Baptist, Sculpture depicts a bust portrait of Saint John the Baptist as a younger man without a beard but still with his long hair. He wears an unadorned smock and looks forward with an awed expression.
Vanderbilt photo identifier: SC.MSS.088.SCUL.0099; Public Notes:
Charity, Allegorical figure of Charity.
Vanderbilt photo identifier: SC.MSS.088.SIEN.0942; Public Notes:
Christ Giving the Eucharist, Christ Giving the Eucharist
Vanderbilt photo identifier: SC.MSS.088.UMBR.3811; Public Notes:
Coronation of the Virgin, Coronation of the Virgin Mary with saints.
Vanderbilt photo identifier: SC.MSS.088.EITA.1553; Original stamp identifier: 1620; Public Notes:
Coronation of the Virgin, Virgin Mary crowned as Queen of Heaven by Christ., 1503, Photographed in 1931
Vanderbilt photo identifier: SC.MSS.088.UMBR.0835; Public Notes:
Crucifix with Saints, Crucifix with saints.
Vanderbilt photo identifier: SC.MSS.088.EITA.1487; Original stamp identifier: 1606; Public Notes:
Crucifixion Scene, Crucifixion scene with angels and saints.
Vanderbilt photo identifier: SC.MSS.088.UMBR.0096; Public Notes:
Hope, Allegorical figure of Hope.
Vanderbilt photo identifier: SC.MSS.088.SIEN.0941; Public Notes:
John the Baptist Teaching, Scene of John the Baptist teaching to a crowd.
Vanderbilt photo identifier: SC.MSS.088.BOFE.0024; Public Notes:
Last Supper (detail), This is a detail of the bread and wine on the table at the last supper., 1542-1544
Vanderbilt photo identifier: SC.MSS.088.TITI.0315; Public Notes: Originally in a subfolder marked: Urbino; OPERA Documentata; 1552-2
Last Supper, Gathered around Jesus on a table, the disciples watch him attentively. A dog with a collar eats crumbs while the disciples seem discontent.
Vanderbilt photo identifier: SC.MSS.088.DUPL.0657.2; Public Notes:
Last Supper, This painting portrays Jesus sitting with the disciples for the last supper. Noteworthy in this painting are the Milanese elements, especially the Bramantesque round building in the background. In addition, St. John is not represented with his head on Christ's breast, as is usually the case, and the composition differs from those Titian adopted from Leonardo., 1542-1544
Vanderbilt photo identifier: SC.MSS.088.TITI.0314; Public Notes: Originally in a subfolder marked: Urbino; OPERA Documentata; 1552-2
Madonna and Child, Detail of faces of the Virgin Mary and infant Jesus., 1372, Photographed in 1932
Vanderbilt photo identifier: SC.MSS.088.EITA.1635; Original stamp identifier: 1756; Public Notes:
Madonna and Child, Madonna and Child enthroned., 1372
Vanderbilt photo identifier: SC.MSS.088.EITA.1634; Original stamp identifier: 1755; Public Notes:
Madonna and Child, Madonna and Child with scenes, saints, and the Crucifixion.
Vanderbilt photo identifier: SC.MSS.088.UMBR.0012; Public Notes:
Madonna and Child, Madonna and Child with two angels.
Vanderbilt photo identifier: SC.MSS.088.UMBR.3560; Public Notes:
Madonna and Child with Saints and Scenes, Detail of the crucifixion of Christ., 1345
Vanderbilt photo identifier: SC.MSS.088.EITA.1395; Original stamp identifier: 1534; Public Notes:
Madonna and Child with Saints and Scenes, Detail of the Madonna and Child and flanking saints and angels., 1345
Vanderbilt photo identifier: SC.MSS.088.EITA.1394; Original stamp identifier: 1533; Public Notes:
Madonna and Child with Saints and Scenes, Detail of two scenes from the life of Christ: Adoration of the Magi and Presentation at the Temple., 1345
Vanderbilt photo identifier: SC.MSS.088.EITA.1397; Original stamp identifier: 1536; Public Notes:
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