Fogg Art Museum, Cambridge, Massachusetts
Found in 173 Collections and/or Records:
Scene, Fragment of a panel depicting an unknown scene with figures.
Vanderbilt photo identifier: SC.MSS.088.SIEN.0935; Public Notes:
Self Portrait, Self portrait.
Vanderbilt photo identifier: SC.MSS.088.EMIL.0059; Public Notes: This piece was formerly attributed to Bartolomeo Passarotti. It was created in either the 16th or 17th century.
Ship in a Dock, This work depicts a large wooden ship docked.
Vanderbilt photo identifier: SC.MSS.088.FREN.0785; Public Notes: This is a basic record created to enable public access to scanned images. Full research on this image is pending. For assistance, please e-mail us at specialcollections@vanderbilt.edu.; Handwritten notes on this catalog clipping indicate that the work previously belonged in the Stellman collection.
St. Peter: Montefiore Polyptych, This image shows a detail of St. Peter in half-length. This drawing was the model for a painting of the same subject which was part of the predella of the Montefiore altarpiece., 1471-1473
Vanderbilt photo identifier: SC.MSS.088.VENI.0501; Public Notes: This work is the only drawing by Crivelli known to survive. Scholars have suggested this drawing as evidence for model books used in Crivelli's workshop. // Also, there are handwritten notes on the back of this photograph, noting the drawing as the only surviving drawing by Crivelli, and also referencing Berenson.
Stigmatization of Saint Francis, Scene of the stigmatization of Saint Francis of Assisi., c. 1325-1330
Vanderbilt photo identifier: SC.MSS.088.FLOR.0140; Public Notes:
Study for Saint Hilary, Study for the head of Saint Hilary for the assumption of the Virgin at the Duomo in Parma, Italy.
Vanderbilt photo identifier: SC.MSS.088.PARM.0346; Public Notes:
Study for the 'Adoration of the Kings', This image shows a preparatory drawing for the 'Adoration of the Shepherds'. This drawing includes the shepherds kneeling before the Virgin and Child with Joseph standing behind., ca. 1499
Vanderbilt photo identifier: SC.MSS.088.VENI.1004; Public Notes:
Study of a musician, Study of a musician playing the viol da braccio., 1550
Vanderbilt photo identifier: SC.MSS.088.UMBR.2445; Public Notes:
Tabernacle, Close up of Madonna and Child with angels and John the Baptist.
Vanderbilt photo identifier: SC.MSS.088.UMBR.3639; Public Notes:
Tabernacle, Detail of the two angels on the side.
Vanderbilt photo identifier: SC.MSS.088.UMBR.3640; Public Notes:
Tabernacle, Madonna and Child with angels and John the Baptist.
Vanderbilt photo identifier: SC.MSS.088.UMBR.3638; Public Notes:
Tabernacle with the Coronation of the Virgin, the Annunciation, Saint John Evangelist on Patmos, Saint John Baptist in Wilderness and Saints Benedict and Martial, Coronation of the Virgin with the Annunciation, Saint John Evangelist on Patmos, Saint John Baptist in the wilderness, and Saints Benedict and Martial.
Vanderbilt photo identifier: SC.MSS.088.EITA.2681; Original stamp identifier: 2808; Public Notes:
The Adoration of the Magi, Scene of the Adoration of the Magi with a horseback procession and a landscape with a castle in the background.
Vanderbilt photo identifier: SC.MSS.088.VICE.029; Public Notes:
The Mystic Marriage of Saint Catherine of Alexandria, Marriage of Saint Catherine., c. 1500
Vanderbilt photo identifier: SC.MSS.088.UMBR.0792; Public Notes:
The Virgin and Child, This work depicts the Virgin and Christ Child., c.1470
Vanderbilt photo identifier: SC.MSS.088.VENI.1692; Public Notes: Handwritten notes on the photograph indicate information about the work. This image depicts the work after the restoration has been complete.
The Virgin and Child, This work depicts the Virgin and Christ Child., c.1470
Vanderbilt photo identifier: SC.MSS.088.VENI.1693; Public Notes: Handwritten notes on the photograph indicate information about the work. This image depicts the work in the next to last stage (6th) of the restoration.
The Virgin and Child, This work depicts the Virgin and Christ Child., c.1470
Vanderbilt photo identifier: SC.MSS.088.VENI.1694; Public Notes: Handwritten notes on the photograph indicate information about the work. This image depicts the work in the 5th stage of the restoration.
The Virgin and Child, This work depicts the Virgin and Christ Child., c.1470
Vanderbilt photo identifier: SC.MSS.088.VENI.1695; Public Notes: Handwritten notes on the photograph indicate information about the work. This image depicts the work in the 4th stage of the restoration.
The Virgin and Child, This work depicts the Virgin and Christ Child., c.1470
Vanderbilt photo identifier: SC.MSS.088.VENI.1696; Public Notes: Handwritten notes on the photograph indicate information about the work. This image depicts the work in the 3rd stage of the restoration.
The Virgin and Child, This work depicts the Virgin and Christ Child., c.1470
Vanderbilt photo identifier: SC.MSS.088.VENI.1697; Public Notes: Handwritten notes on the photograph indicate information about the work. This image depicts the work in the 2nd stage of the restoration.
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This site contains collection guides, or finding aids, to the archival collections held by Vanderbilt University Special Collections and University Archives, the History of Medicine Collection, and the Scarritt Bennett Center. Finding aids describe the context, arrangement, and structure of archival materials, allowing users to identify and request materials relevant to their research.
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