Fogg Art Museum, Cambridge, Massachusetts
Found in 173 Collections and/or Records:
Nativity, Nativity scene with the Holy Family in a garden., 1450
Vanderbilt photo identifier: SC.MSS.088.UMBR.0182; Public Notes:
Papal Saint, Papal saint from the outer left leaf of the Philadelpha-Fogg-Museum-Pickhordt Polyptych with an evangelist above.
Vanderbilt photo identifier: SC.MSS.088.FLOR.1309; Public Notes:
Pieta - 1st state, This image shows a first state of the Pieta now in the Fogg Museum. This image shows the painting in its damaged state as seen in the late 19th century. Later images of this painting show attempts by a 19th century Italian restorer Cavenaghi of Milan, to recreate missing areas of the painting (see SC.MSS.088.VENI.0472 and 0473)., 1485-1495, Photographed in c. 1880-1925
Vanderbilt photo identifier: SC.MSS.088.VENI.0471; Public Notes: This painting is thought to have been part of an altarpiece, surmounting the Virgin and Child of Macerata (our SC.MSS.088.VENI.0470)(Lightbown, 2004). // The painting was donated by Arthur Sachs to the Fogg Museum in 1924.
Pieta - 2nd state, This image shows the second state of the Pieta now in the Fogg Museum. Here, the missing areas of the damaged painting have been sketched in by a 19th century Italian restorer, the Milanese Cavenaghi. See (SC.MSS.088.VENI.0471 and 0473) for 1st and 3rd states of this work., 1485-1495, Photographed in c. 1880-1925
Vanderbilt photo identifier: SC.MSS.088.VENI.0472; Public Notes: This painting is thought to have been part of an altarpiece, surmounting the Virgin and Child of Macerata (our SC.MSS.088.VENI.0470)(Lightbown, 2004). // The painting was donated by Arthur Sachs to the Fogg Museum in 1924.
Pieta - 3rd state, This image shows the third state of the Pieta now in the Fogg Museum. Here, we see the painting as it now is visible. A 19th century Italian restorer attempted a restoration of the painting, filling in damaged portions of the work and adding glazes to the rest of the piece, in essence re-painting much of the work. Earlier states (before the restoration) are seen in our records (SC.MSS.088.VENI.0471 and 0472)., 1485-1495, Photographed in c. 1880-1925
Vanderbilt photo identifier: SC.MSS.088.VENI.0473; Public Notes: This painting is thought to have been part of an altarpiece, surmounting the Virgin and Child of Macerata (our SC.MSS.088.VENI.0470)(Lightbown, 2004). // The painting was donated by Arthur Sachs to the Fogg Museum in 1924.; This image is reversed as if the negative were printed in a flipped position (backward).
Portrait of a Cardinal, Portrait of an unnamed cardinal. He sits on an ordained chair, in clergy attire, holding a small booklet in his right hand.
Vanderbilt photo identifier: SC.MSS.088.ROMA.0035; Public Notes: This is a basic record created to enable public access to scanned images. Full research on this image is pending. For assistance, please e-mail us at specialcollections@vanderbilt.edu
Portrait of a Lady, Portrait of a lady with a small dog.
Vanderbilt photo identifier: SC.MSS.088.VERO.0512; Public Notes:
Portrait of a Man, A man with seemingly feminine features displays a daunting self, bold and staring, with a sword.
Vanderbilt photo identifier: SC.MSS.088.DUPL.0693; Public Notes:
Portrait of a Man, Half-length portrait of a man
Vanderbilt photo identifier: SC.MSS.088.FLOR.10931; Public Notes: This is a basic record created to enable public access to scanned images. Full research on this image is pending. For assistance, please e-mail us at specialcollections@vanderbilt.edu
Portrait of a Man, Half-length portrait of a man wearing a hat and holding a letter.
Vanderbilt photo identifier: SC.MSS.088.BRES.0666; Public Notes:
Portrait of a Man, Portrait of an unknown man wearing a fur collar and a turban. He is turned to the left almost in three-quarter view and holds a rosary in his hands. Four different coats of arms seem to float around his head. Three of the arms have been identified: at the upper left are the arms of Frank van Borselen, at the lower left are the arms of the Hardefust family, and at the lower right are the arms of Graf Bitterswigh van Geldern., c.1528-1529
Vanderbilt photo identifier: SC.MSS.088.FLEM.0423; Public Notes: The sitter in this piece was traditionally said to be Roger Count Bitterswyk-Gelern. This painting was once wrongly attributed to Joos van Cleve, also known as the Master of the Death of the Virgin.
Portrait of a man, traditionally said to be Roger, Count Blitterswyk-Geldern, A portrait of a man holding a rosary. Surrounding him are coat-of-arms.
Vanderbilt photo identifier: SC.MSS.088.FLEM.OVER.0016; Public Notes: This piece was once attributed to Joos van Cleve the elder. It was sold at Wildenstein & Company in 1930 to Grenville L. Winthrop, who then bequeathed the painting to the Fogg Art Museum in 1942.; This is a basic record created to enable public access to scanned images. Full research on this image is pending. For assistance, please e-mail us at specialcollections@vanderbilt.edu
Portrait of a Man with a Beard, Portrait of a man with a beard.
Vanderbilt photo identifier: SC.MSS.088.VENI.4943; Public Notes: This is a basic record created to enable public access to scanned images. Full research on this image is pending. For assistance, please e-mail us at specialcollections@vanderbilt.edu
Portrait of an Old Man, A bust portrait of a man with a white beard against a black background.
Vanderbilt photo identifier: SC.MSS.088.DUTC.0209; Public Notes: This is a basic record created to enable public access to scanned images. Full research on this image is pending. For assistance, please e-mail us at specialcollections@vanderbilt.edu
Portrait of an Old Man, An older man with a white unruly beard, dressed in a black cloak, looks sternly somewhere forward, beyond the viewer., 1632
Vanderbilt photo identifier: SC.MSS.088.REMB.0106; Public Notes: Bredius 147
Procession of the Magi, A copy of the Gozzoli fresco at the Riccardi Palace., 1911
Vanderbilt photo identifier: SC.MSS.088.FLOR.6219; Public Notes:
Procession of the Magi, Detail of the Magi., 1911
Vanderbilt photo identifier: SC.MSS.088.FLOR.6220; Public Notes:
Red Eagle, Insignia with double-headed eagle and fleur-de-lis.
Vanderbilt photo identifier: SC.MSS.088.FLOR.9478; Public Notes:
Roverella Polyptych, Detail of the adoration of the magi., 1474
Vanderbilt photo identifier: SC.MSS.088.BOFE.0380; Public Notes:
Saint Agnes of Rome, Cuspidate panel of Saint Agnes of Rome holding a lamb emblem., c. 1330
Vanderbilt photo identifier: SC.MSS.088.EITA.4008; Original stamp identifier: 4025; Public Notes: This is a basic record created to enable public access to scanned images. Full research on this image is pending. For assistance, please e-mail us at specialcollections@vanderbilt.edu
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This site contains collection guides, or finding aids, to the archival collections held by Vanderbilt University Special Collections and University Archives, the History of Medicine Collection, and the Scarritt Bennett Center. Finding aids describe the context, arrangement, and structure of archival materials, allowing users to identify and request materials relevant to their research.
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