Metropolitan Museum of Art, New York
Found in 398 Collections and/or Records:
A Doge in prayer before the Redeemer, A Doge stands before other church officials and stands in wait of the Redeemer (Christ) and a host of angels
Vanderbilt photo identifier: SC.MSS.088.VENI.4100; Public Notes: This is a basic record created to enable public access to scanned images. Full research on this image is pending. For assistance, please e-mail us at specialcollections@vanderbilt.edu
A Girl Making a Garland, This is a painting of a young woman making a garland and sitting on a window sill. A banner with text winds around the window frame. This is a basic record created to enable public access to scanned images. Full research on this image is pending. For assistance, please e-mail us at specialcollections@vanderbilt.edu, c. 1505
Vanderbilt photo identifier: SC.MSS.088.GERM.0307.1; Public Notes:
A Tree, This image depicts a drawing of a tree.
Vanderbilt photo identifier: SC.MSS.088.FREN.0723.2; Public Notes: Handwritten notes on the back of this photograph indicate that the work was sold at Sotheby's on June 28, 1961. The front of this work is SC.MSS.088.FREN.0723.1.
A Tree, This image depicts a drawing of a tree branch.
Vanderbilt photo identifier: SC.MSS.088.FREN.0723.1; Public Notes: Handwritten notes on the back of this photograph indicate that the work was sold at Sotheby's on June 28, 1961.
A Young Woman as a Shepherdess ("Saskia as Flora"), Modeled after Rembrandt's "Saskia as Flora," Flinck's reversion displays a woman in a shepherdess' headdress, gazing at the viewer.
Vanderbilt photo identifier: SC.MSS.088.REMB.0190; Public Notes:
Abbess Lucrezia Agliardi Vertova, Half-length portrait of the abbess, Lucrezia Agliardi Vertova, with an inscription., c 1556
Vanderbilt photo identifier: SC.MSS.088.BRES.0609; Public Notes:
Adoration of the Magi, Biblical scene depicting the Nativity with angels and the Magi., c. 1320
Vanderbilt photo identifier: SC.MSS.088.FLOR.0227; Public Notes:
Adoration of the Magi, The Virgin Mary holds the Christ child in her lap as Joseph stands behind her and a group of magi come forward to adore the child. A ladder in the background reaches all the way to the top of the painting, where three cherubs can be seen in the sky., c. 1753
Vanderbilt photo identifier: SC.MSS.088.TIEP.0095; Other stamp identifier: CV Stamp; Public Notes: This is a basic record created to enable public access to scanned images. Full research on this image is pending. For assistance, please e-mail us at specialcollections@vanderbilt.edu.
Adoration of the Shepherds, Scene depicting the visit of the shepherds to the holy family., Before 1527, Photographed in 1930
Vanderbilt photo identifier: SC.MSS.088.BOFE.0804; Public Notes:
Adoration of the Shepherds, The shepherds, in simple clothing, come to adore the Child in the manager. Angels on high admire the scene., ca. 1605–10, Photographed in 21520
Vanderbilt photo identifier: SC.MSS.088.SPAN.0252; Public Notes: Image is presented on a Christmas Card from The Institute amatller d'art hispanic.
Agony in the Garden, Predella panel of Christ praying in the garden of Gethsemane with disciples sleeping around him., 1504-1506
Vanderbilt photo identifier: SC.MSS.088.UMBR.2017; Public Notes: This work is a section of predella. The central panel is SC.MSS.088.UMBR.2015. The panels are part of the Saint Antonio altarpiece at the Metropoliton Museum of Art, which are SC.MSS.088.UMBR.2012-2014. This piece was part of the Clarence H. Mackay collection from 1924 until 1932 when it was sold to the Metropolitan Museum of Art.
Alfonso d'Este, Painting is a copy of Titian's portrait of Alfonso d'Este (1534). The original portrait by Titian was lost in the 18th century. Alfonso d'Este, Duke of Ferrara, stands in dark, high fashion clothing and jewelry, resting one hand on his sword and his other on a canon, he makes direct eye contact with the viewer., c. 1523
Vanderbilt photo identifier: SC.MSS.088.TITI.0581; Public Notes:
Allegorical Figures, Two female figures, one with an exposed breast and holding up a container, face each other.
Vanderbilt photo identifier: SC.MSS.088.VENI.4572; Public Notes: This is a basic record created to enable public access to scanned images. Full research on this image is pending. For assistance, please e-mail us at specialcollections@vanderbilt.edu
Ameto's Discovery of the Nymphs, Scene from Boccaccio's "Comedia della Florentine" depicting the shepherd Ameto stumbling upon the group of nymphs. (recto), c.1410, Photographed in 1927
Vanderbilt photo identifier: SC.MSS.088.FLOR.9448; Public Notes: Related records: SC.MSS.088.FLOR.9448 and SC.MSS.088.FLOR.9449.
Annunciation to the Virgin, Biblical scene with the annunciation to the Virgin Mary., c. 1440
Vanderbilt photo identifier: SC.MSS.088.FLOR.5236; Public Notes:
Aristotle with a Bust of Homer, Aristotle, dressed in 17th century Western European clothing, stands with his right hand resting on the busy of Homer, contemplating., 1653
Vanderbilt photo identifier: SC.MSS.088.REMB.0132; Public Notes: Purchase, special contributions and funds given or bequeathed by friends of the Museum, 1961
Aristotle with a Bust of Homer, Aristotle stands in heavily-Europeanized clothing staring at a bust of Homer. Aristotle's hand is gently placed on the head of Homer., 1653
Vanderbilt photo identifier: SC.MSS.088.REMB.0037; Public Notes: Erickson Collection
Assumption of the Virgin, Scene of the Virgin's ascension into Heaven., 1498
Vanderbilt photo identifier: SC.MSS.088.SIEN.1162; Public Notes:
Bacchus, Pan and Silenus, Detail of Bacchus, Pan and Silenus.
Vanderbilt photo identifier: SC.MSS.088.UMBR.0875; Public Notes: From the ceiling of the reception room in the Palazzo del Magnifico in Siena.
Bartolommeo Bonghi, Seated portrait of Bartolommeo Bonghi with a book, a coat of arms and inscription., c. 1553
Vanderbilt photo identifier: SC.MSS.088.BRES.0576; Public Notes:
About this Site
This site contains collection guides, or finding aids, to the archival collections held by Vanderbilt University Special Collections and University Archives, the History of Medicine Collection, and the Scarritt Bennett Center. Finding aids describe the context, arrangement, and structure of archival materials, allowing users to identify and request materials relevant to their research.
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